Assemblage

The Women's New Media Gallery

compiled and curated by carolyn guertin

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

(by Author)

Mac, Kathy (Canada). Unnatural Habitats. Eastgate Quarterly Review of Hypertext 1 (3). Watertown, MA: Eastgate Systems, 1994.

MacDougall, Liz (Canada). Are You Subhuman? A mock corporate site for a restructured 21st century world. In English, French, German, Spanish and Japanese. Maid in Cyberspace: HTMlles 2000. (offline)

McCoy, Jennifer and Kevin (USA). M A I N T E N A N C E /W E B. A science fiction soap opera.
---. Small Appliances. Interface tales: women and technology.

McGill, Nancy (USA) and Roger Tango (USA). Spike Webb: Net Detective. A web-based lifeform and graphic, serialized hyperfiction. Help solve his cases. Join the fan club. Temporarily offline.

McGovern, Catherine (Canada). the girl with the sword is mute. A web fairy tale in two chapters. Maid in Cyberspace/HTMlles 1999. Offline.
---. touche. (See Website.) 1999. Offlline.
---. Web Art: Links to Works. Offline.

McPhee, Christina (USA). Three Texts of the Cyborg: sonicPERSEPHONE, SlipstreamAndromeda, 47reds. Performance, installation, Italo Calvino, electro-acoustical music, interactive text, video, shockwaved, tri-lingual art. Opulent and highly innovative. 2001-2003. Requires shockwave plug in plus java-capable browser.
---. Inscapes: Landscapes of Virtual Time - Website.

Mackie, Elizabeth (USA). Cloak. 2000.
---. Her Attractive Pain. 1999-2000.

Mai, Sabine. Visual Intelligence Network. Offline.

Maid in Cyberspace or Festival Htmlles . Installation of Women's Web Art, Studio XX, Montréal.

Malaterre. Pascale (Canada). L1001S. Maid in Cyberspace/Les HTMelles Festival de Cyberart 2003.

Malloy, Judy (USA). Bad Information. One of the earliest internet-based literary works. 1985.
---. Dorothy Abrona McCrae. Fictional autobiography of a woman painter. A new installment each month, 2000.
---. its name was Penelope. Watertown, MA: Eastgate Systems, 1993.
---. lOveOne.
---. The Roar of Destiny Emanated from the Refrigerator. I got up to get a beer.
---. Uncle Roger, the first hypertext novel, originally posted on the WELL online conference, 1986. Adapted for the web, 1995.
---. Home Quilt: Collected Internet Works.
---, Moderator. Gender and Identity in New Media, Invencao Sympos ium, Sao Paulo, Brazil, August 1999. Semi-finalist, 1999 Global Information Infrastructure (GII) Award.
---. Women, Art and Technology: the Website. The companion to the 2003 book from MIT Press.

Malloy, Judy (USA) and Cathy Marshall (USA). Forward Anywhere. Watertown, MA: Eastgate Systems, 1996.

Malloy, Judy (USA) and Sonya Rapoport (USA). Objective Connections. 1996.

Malloy, Judy (USA) et al. My Name is Scibe, a collaborative hypertext started by Judy Malloy.

Marshall, Cathy (USA). Silicon Valley Journal. 1996-98.
---. Home Page and Publications.
See also Malloy, Judy and Cathy Marshall.

Martin, Juliet Ann (USA). Can you see me through the computer? Maid in Cyberspace, 1997.
---. Drowning Girls Are Sexy.
---. Instant Future.
---. Bio.
---. Website.

Martinsson, Yvonne (Sweden). Shades of Cogs. 2003. A hyperessay about roses, literature, ex-stasis and frames.
---. Website.

Mazzy (Pauline Masurel, UK). The Blind Tiler's Assistant. frAme5. 2001.
---. Interview: Stir Fry Text. With Jim Andrews. 2002. See also Blue Hyacinth: A Writer's Notebook, Firewords.
---. Website: unfurling.net.

Mazzy (Pauline Masurel, UK) with Jennifer Jaye (US). This Train: Signals Past at Danger. 2001.

Mazzy (Pauline Masurel, UK) and Jim Andrews (Canada). Blue Hyacinth Stir Fry Text. 2002.

Mellish, Xander (Denmark/USA). Xander Mellish: Short Stories and Cartoons. In English and Danish.
---. Five George Washingtons: Tales of the Web's First Days.

mez (or mezflesque.exe; Mary Anne Breeze; Australia). _][ad][Dressed in a Skin C.ode_. 1995-2002.
---. Agender.
---. Blood Puppets: A Premillennium Manifesto.
---. Cloh!neing God N Ange-Lz. Poems for April: Electronic Poetry Center. 2000.
---. Cutting Spaces: fleshwords by Ms Post Modernism. Aborted stories.
---. data][h!][bleeding texts. 2001. Shortlisted for the Electronic Literature Organization Award for Fiction, 2001.
---.di[e][lation [wo]manifesto-:-a sliver of the f[iction][uture][ in][fr][action<. 2001.
---. ergance: an exercise in collaboration. 2002.
---. 5ive Net.wurks. Featured Artist. Cauldron & Net. 2000.
---. fleshi stics: iN-ternal damage report vers 1.1. CTHEORY multimedia.
---. flesh istics 2. Published in CTHEORY multimedia.
---. In[con]struction. Riding the Meridian. 2000.
---. K oDe Dis.pensa 4 the DataH Inphoennium. My Millennium: the trAce Anthology, 1999.
---. Reality Smearing: Trauma Networks vs Bloodlust Demeanors. 2001. Offline.
---. S][ervo][mall Monito.Red][heart][Beats. Netscape only. 2002.
---. Web Works

mez (Australia) and Talan Memmott (USA). sky scratchez. BeeHive, 02:#05. December 1999.

Mezzina, Dana with Sean Donohue. the pros and cons. Requires Shockwave 4.0.

Michot, Federica (Fred Romano; Spain). Edward Amiga. Hyperoman en français.

Miller, Liz (USA). Moles: A web narrative. Mirrored. A connect-the-dots exploration of lesbian sexuality. Co-winner of the ASCI.org's Digital '99 Web Art Award. 1999. Netscape 4.0, plus Flash and Shockwave plug ins. Offline.
---. Artist's Statement.

Mitchell, Bonnie (USA). Merging Identity. An exploration of identity, the body and life online. SIGGRAPH 2000. Offline.
---. Website.

Mueller, Petra (Canada). The Love Money and Weather Project, iceflow 1996.
---. Update on the Future. Maid in Cyberspace/Festival Htmlles 1997. Offline.

Murray, Janet H. (USA). Hamlet on the Holodeck: The Future of Narrative in Cyberspace. Cambridge, MA: MIT, 1998. Resource Page.

n.paradoxa. Exploring feminist theory and contemporary women's art practices. The only international feminist art journal, online and in print.
---. Links to Women's Art Work on the Web.

Nestvold, Ruth (Germany). Cutting Edges; Or, the Web of Women. A hypertext fiction of "love, hate and the war of the sexes." [Originally published in DOS, Serendipity Systems, 1995.]
---. Joe's Heartbeat in Budapest. 2000.
---. Website.
---. The Aphra Behn page.

Nezvanova, Netochka (Denmark). See antiorp.

Odin, Jaishree K. (USA). The Performative and Processual: A Study of Hypertext/Postcolonial Aesthetic. Literary theory.
---. and many other articles linked through her Website.

Ortmann, Sabrina (Germany). Elektronische Literatur - Kreativitüt oder Chaos? Berliner Zimmer Zine. Literary theory in German. 1998.

O'Rourke, Karen (France/USA) et al. New York Body and Soul Map.
---. Paris Réseau ... Paris Network. On CD-ROM.
---. Paris Project description.

Out of Synch (Norie Neumark, Australia, and Maria Miranda, Australia). </journey to the centre/>. Maid in Cyberspace/Les HTMelles Festival de Cyberart 2003.
---. Machine Organs.
---. Museum of Rumour. 2003.
---. Website.

Owen, Janet (UK/USA) with Ken Mora. The Snow White Syndrome. Riding the Meridian. 2000.

Parrish, Katherine (Canada). MOOlipo. Algorithmic envy and random text generations. Visit every room. 2001.

Paterson, Nancy (Canada). MULTI: Multi-User Laser Table Interface. 2004.
---. Stock Market Skirt, The Library and others. Website.

Les Pénélopes (France). Index des Cyberfemmes. En Français.

Perian, Naomi. Flight Patterns. E-crostics. 2001. (Offline)

Perte de Signal/Zone d'émergences (Canada). A collective of Canadian new media artists and an index of their works. In English and French. Established 1997.

Petit, Marianne with John Nielsen (USA). A Grimm Tale, Or The Story of the Youth Who Went Forth To Learn What Fear Was. A retelling of a tale by the Brothers Grimm. Published by Turbulence. 1996. (For another Grimm tale, see Francis Till's Pony.)

Pinto, Regina Célia (Brazil). Book of Sand. 2001.
---. Museu do Essencial e do Além Disso/Museum of the Essential and Beyond That. In English and Portuguese. 2001 on.
---. Electronic Bio.

Poliakov, Zana (Croatia), founder and cybercook. Cyberkitchen Cyberfeminist School. A web workshop for young women from Kosova, Albania, Macedonia and Bosnia. 1999.
---. Hacker's Icon: Cut & Paste. 2000.

Polli, Andrea (US). Atmospherics/Weather Works. 2003.
---. Website.

Porcaro, Sonja (Australia). mist. Part of Lux: Notes for an Electronic Writing, 1999.
---. plumb (with grace). Part of the Ensemble Logic + Choragraphy Web, 1998.

Probst, Claudia (Germany) and Michael Shpaizman (Germany), Curators. Digital Mutations. A gallery of faux relatives. In German and English. 2000.

Prophet, Jane (UK). The Internal Organs of a Cyborg. Part of Outoäly Alkuun: Alien Intelligence exhibit, Finland, 2000. CD-ROM. 1998.
---. Swarm. 1997.
---. Website.

Prophet, Jane (UK), Gordon Selley (UK) and Mark Hurry (UK). Technosphere. A 3D simulation of an environment populated by virtual creatures. For WiredWorldsGallery.

Pryor, Sally (Australia). As I May Write. An exploration of icons, gesture and visual language. CD-ROM. Forthcoming Dec 2000.
---. Postcard from Tunis. A first-person portrait of Tunis exploring reading/writing and the human-computer interface--and teaches Arabic. Gold Medal and Award of Excellence in Personal/Group Titles, 97 NewMedia Invision Awards Festival (USA) and Shared First Prize, Arts_Edge Multimedia Competition 98 (Australia) CD-ROM. 1997.
---. Postcards from Writing. 2004.
---. Home page.

Pullinger, Kate (UK/Canada) with Talan Memmott (USA). Branded. A fragment of a larger work in progress. 2003.
---. Mapping the Transition from Page to Screen. 2002.
---. Website.

Quintas, Eva (Canada) and Mitsiko Miller (Canada). Carnages: Alice et autre petites histoires cannibales. En français. Maid in Cyberspace: HTMlles 2000.

Rackham, Melinda (Australia). a.land: a voyage thru fragmentary landscapes. Poetry. Winner of the Macromedia/Internet.au Web in Motion Prize for online animation, 1999. Netscape 4.0 or higher recommended.
---. Carrier. Hypertext as infectious agent. Winner 2nd Prize National Digital Art Awards, Institute of Modern Art, Australia. 1999.
---. empyre. 2002.
---. line: mute subjects of the cyberpolis. Poetry. Winner of the Gram - Trails of the Future Award, First Permanent Digital Art Exhibition 1999, Adult Category, Argentina. 1998.
---. tunnel: a cyburban melodrama. 1996. Netscape 3.0 or higher only.
---. Website: subtle.net.

Rapstoff, Ann (UK). Word of Mouth.

Rae, Leila (USA). 101: One Zero One, a rhizomatic magazine, 1996-1998.

Raley, Rita (USA). Hypermarks: An Index. An online directory of fiction, poetry and installations that are hypertext/ually informed.

Ramsay, Lehan (Australia/Japan). Chasing World Orders: Abstract. 2003.
---. Lehan's page. (offline)
---, et al. Part 1: Zones of Recognition. (offline)

Ramsay, Lehan (Australia/Japan) and Hiroshi Yasukawa (Japan). Resonance. Part of the Shoreline: Particles and Waves web. Australian Internet Award Semi-Finalist, 1999. (Some parts of this text are offline.)

Ramsay, Lehan (Australia/Japan) and Yskw (Japan). Peephole. In nine parts. frAme2, 1998.

Rapoport, Sonya (USA). Home Gallery. (See also Malloy, Judy and Sonya Rapoport.)

Rapoport, Sonya (USA) and Marie-José Sat (France). Brutal Myths: An Herbal Healing of Misogynous Myths. Maid in Cyberspace/Festival Htmlles, 1997.

Rashley, Lisa Hammond (USA). Women's Studies 101 on the Web. Kairos 6.1.

Reiser, Beverly (USA). Voice Garden: Labyrinth of Love, Labyrinth of Desire. Interactive multimedia CD-ROM. Oakland, California: Life on a Slice.

Richards, Catherine (Canada). Charged Hearts. 1997.

Riel, Michelle and Eric (USA). Telesthetic Communis. Turbulence 2001. Requires Shockwave 8.

Rivera, Raquel (Malaysia) and Jeannette Lambert (JeanNet; Canada). emerging from erasure. Maid in Cyberspace/Festival Htmlles, 1997.
---. mining reflections.
---. Salome (Goes to Soho to See Her Poster in a Show...)

Romano, Fred (Spain). See Federica Michot.

Rubin, Cynthia Beth (USA). Jonah's Memories. In English and French. 1998.
---. Memoirs. 2002. Mnemonic cathedrals in digital collage.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

(by Author)

Introduction

To have work considered for inclusion in the Gallery,
please e-mail Carolyn Guertin
<carolyn.guertin@utoronto.ca>.
Preference will be given to things native to electronic spaces.

Updated monthly.

Contents and commentary of Assemblage © Carolyn Guertin, University of Toronto, Canada, 1999-2005
All images © the authors or artists, reproduced by permission.
In association with the trAce Online Writing Centre at Nottingham Trent University, UK

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