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AssemblageThe Women's New Media Gallerycompiled and curated by carolyn guertin
Gaiter, Colette (USA). The Natural Order of Things. The observations of an African American woman visiting South Africa and its democratic labour pains. 2000. Galeria de la Raza: Digital Murals. A San Francisco-based interdisciplinary Chicano/Latino space for Art, Thought and Activism. Includes the work of Rosangela Renną, Liliana Porter, Conchita Villalba & robertkarimi , Alma Lopez, and Lucia Grossberger-Morales. An gamegirlz.com (Canada). Women's game zine, established 1997. García,
Dora (Spain/Belgium). El
Reino. Una novela para un museo. En Espanol. Garcia, Jacalyn Lopez (USA). Glass Houses: A Tour of American Assimilation from a Mexican-American Perspective. GashGirl (Francesca da Rimini; Australia). Home Base. geniwate
(Jenny
Weight; Australia). empiricosis.
Riding the
Meridian 2,
1999. Gerrard, Lisa (USA). "'Diets Suck!' and Other Tales of Women's Bodies on the Web." Kairos 5.2. Glaros, Michelle (USA). Being in Pictures. Theoretical hypertext. (Part of the Electro-Pedagogies Web by Anthony Rue and Jane Love.) (Offline) Gleeson, Madge (USA). Me-Mart, SIGGRAPH 99. An imaginary online shopping market where the primary commodity is your personal identity. Goestl,
Christina
(Austria). matrix.64. A
contemporary
retelling of the '64 arts' for studying artistic composition
originally
identified in the Sanskrit tradition. In German and English. Part
of the Rhizome
Artbase.
1999. Requires a java-capable browser and Shockwave plug in. Goggin, Nan (USA). In[side]out. An interactive CD-ROM that explores the conjunctions of public and private space. SIGGRAPH 2000. Goriunova,
Olga
(Russia-Finland). Suicide
Letter Wizard for Microsoft Word. Maid in Cyberspace/Les
HTMelles
Festival de Cyberart 2003. Gosling, Ju
aka
ju90 (UK). My
Not-So-Secret Life as a Cyborg, Or, What's Wrong With You,
Then?
Embracing disability. 1997. Goss, Jackie.
Modern Keller.
Ink.Ubation
Salon. 2000. Greco,
Diane (USA).
The
Country Between Us. BeeHive
4.2. 2001. Greenwald, Sara (USA). Fields of Night: A Fiction Fantasy Tapesty. Early text-based hypertext. 1994. Gromala, Diane
(USA). Excretia.
Body-responsive fonts. 2001. Guertin,
Carolyn
(Canada). Queen
Bees and the Hum of the Hive: An Overview of Feminist
Hypertext's
Subversive Honeycombings. BeeHive,
Literary theory. 1998. Guertin, Carolyn (Canada) with original music by Kathy Kennedy (Canada/USA). Incarnation: Heart of the Maze. Poems for April: Electronic Poetry Center. 2000. Cauldron & Net. 2001. Guertin, Carolyn (Canada) and Marjorie C. Luesebrink (USA), Contributing Editors. The Progressive Dinner Party: Selections from Assemblage. A showcase of 39 women web.artists and hypertext authors from around the world, with commentary by N. Katherine Hayles and Talan Memmott. Riding the Meridian, Women and Technology issue. 2000. Guitart, Jenn (USA). Mother Does Not Know. 2001. Gunnaradottir, Kristrun (Iceland). Cornucopia. A poetic and philosophical meditation on the need to escape the isolation of existence. 1999. (Offline) Gustin, Pascale (France). Index: Atelier. En Français. Guyer, Carolyn
(USA). Mother Millennia
Project. Gzrinic, Marina (Croatia). Guest editor, Artefact 3.0: Technomythologies. Haley, Heather (Canada). See Hamshaw, Carol and Heather Haley. Hall, Jennifer (USA). [Do While] Studio. "Do While Virtual creates opportunities for synchronous and asyncronous research, experimentation, art-making and conversation." Artist in Residency and Studio Projects in the Boston area and beyond. Halpert,
Heather
A. (USA). lemonyellow.com.
An intellectual, intertextual web diary. 1999.
(Offline) Hamshaw, Carol (Canada) and Heather Haley (Canada). Edgewise Electrolit Centre. Interactive telepoetics. Website Offline, but contact info here. Hanrahan, Jerelyn (USA). Gesture as Value. An interactive art/web and installation project, 1999. Harman, Susan (Canada). Navigating the Body. Four women tell stories about their chronic pain. Amour-Horreur Exhibit, Studio XX. 1999. Hayeur,
Isabelle
(Canada). Civilités/Civilities. In English and French. 2003. Haynes,
Cynthia
A. (USA) and Victor J. Vitanza (USA), Co-Editors. PRE/TEXT:
Electra(Lite). Hayles, N. Katherine (USA). Website. Hazard, Carroline (France). Compliments. Écrit et exécuté pour "rendez-vous" expo à la gare du Havre en été 1999. En français. Hershman, Lynn
(USA). Agent
Ruby. SFMOMA 2002.
Höffer, Barbara and Valeria Schulte-Fischedick, Curators (Germany). cross-female: Metaphors of the Female in the Art of the 90ies. Guest exhibition by Galerie Pfefferberg / Pfefferwerk e.V, Berlin. In German and English. 30 Sept - 29 Oct 2000 Hoskin,
Teri (Australia).
Matter.
Part of Lux: Notes for an
Electronic Writing, 1999. Hoskin, Teri (Australia) with Sue Thomas (UK). Noon Quilt, A collaborative project at the trAce Online Writing Community, 1998-1999. Hudspeth, Leigh (USA). ART of she. (Including Mona Lisa Overdrive in a Flatliner's Position.) A virtual gallery of interconnected web.artworks. Huffman, Kathy Rae (USA/UK), Website. Huffman, Kathy
Rae (USA/UK) with Eva Wohlgemuth (Austria). Siberian
Deal. An exploration of international travel and
cross-cultural
trade. Part of the Rhizome
Artbase. 1995-1998. Hutton, Lisa (USA). cyber*babes. What are you looking for? Part of the Rhizome Artbase. 1996. Hyperizons: Hypertext Fiction. Inanna. Difference
Engine. (offline) Ivans, Jessica (USA). Retrotype. An interactive tool for recreating yourself as you would be seen throughout the history of gaming. 1972, 2004. Jackson,
Shelley
(USA). 'my body': A
Wunderkammer. Jamieson,
Helen
Varley (New Zealand). In
Search of Wireless Europe. 2003. Jaye, Jennifer (US) and Mazzy (Pauline Masurel, UK). This Train: Signals Past at Danger. 2001. JeanNet
(Jeanette
Lambert; Canada). Recoil.
Published in My
Millennium: the trAce Anthology, 1999. Jenik, Adriene (USA). Mauve Desert, CD-ROM translation of Nicole Brossard's novel. Los Angeles: Shifting Horizon Productions, 1997. For Macintosh. Jevbratt, Lisa
(Sweden). 1:1.
A temporal
map in real time scale of the internet. 1999. Joelle, Anne (USA) et al. The Confessional. An interactive electronic fiction, one part of a web installation. 1994. [Large portions of this text are no longer on the server.] ju90 (UK) See Gosling, Ju. Kanarek, Yael (USA). World of Awe. Ink.Ubation Salon. Shockwave Site of the Day. 2000. Requires Flash plug in. Kaplan, Nancy (USA). E-Literacies: Politexts, Hypertexts, and Other Cultural Formations in the Late Age of Print. Theoretical hypertext web. Winner of a Hy Struct Award. 1994-97. Karasic,
Carmin
(USA). Critical Art Ensemble. Keininger,
Martina
(Germany). Der
Schrank. Die Schranke. 1 Stück Theater für 1 Denker
im Denktank. In German. 1996. Keininger, Martina (Germany), Johannes Auer (Germany) and Reinhard Döhl (Germany). TanGo. Stehgeigers Salonstückchen. In German and Spanish. 1998-1999. Kerman, Judy (USA). Mothering. Watertown, MA: Eastgate Systems, 1995. Poetry. Kerr, Heather (Australia?) Notes for an Impossible Electronic Writing. Part of Lux: Notes for an Electronic Writing. 1999. Khankh, Pham Van (Canada), Curator. Women Artists in Canada. In English and French. 2000. Kirchgeorg, Jutta. The Global Diary. (Offline.) Klinger,
Claudia,
Editor (Germany). Missing
Link Cyberzine. In German. Kocsis, Anita (Australia). .....neonvert e..... A garden. Laï,
Tamara
(Belgium). Mind
Transfer.
2003. Laiwan
(Zimbabwe/Canada).
www.Machinate: A
Projection in Two Movements. Maid
in Cyberspace: HTMlles 2000. 4.0 browser or higher only, plus
Flash plug in. Lambert, Jeannette (Canada). Website. See JeanNet or Rivera, Raquel and JeanNet. Lane, Trudy (New Zealand). Artefact. Journal on Culture and Technology in English and Croatian. Lapalme, Julie (Canada). The Orphan Train: Trained Tales. Amour-Horreur Exhibit, Studio XX. 1999. 4.0 browser or higher only. Requires Shockwave and Quicktime 3.0 plug ins. LaPorta, Tina (USA). Distance. Semifinalist, 1999 Global Information Infrastructure (GII) Award. Larsen, Deena
(USA). Bubbles.
Poems for April:
Electronic Poetry Center. 2000. Lazariuk,
Leah
(Canada). Talespin.
Part of Digital
Me: Constructed Identity in Canadian New Media. 1999. Offline. Lehmann, Jael (USA), Rachel Schreiber (USA), and Andrea Slane (USA). Third Generation: Family, Photographs and Nazi Germany. January 2000. Meditations sparked by family photographs--or their absence--by three descendents of Holocaust survivors. Leonardo On-Line. Women, Art and Technology listings. Ley, Jennifer
(USA). The
Amniotic Meander.
2001. Ley, Jennifer, et al. Our Digital Lascaux: A Narrative Net.wurk. Ink.Ubation Salon. 2000. Lialina, Olia
(Russia). Agatha
Appears.
(Netscape 4.0 or higher only.) Published in My
Millennium: the trAce Anthology. 1999. Lialina, Olia (Russia) and Heath Bunting. Identity Swap Database. Multilingual. Lialina, Olia (Russia) and Michaël Samyn (Belgium). Heaven & Hell. Libby, Lee (USA). Passing Theory in Action: The Discourse Between Hypertext and Paralogic Hermeneutics. Theoretical hypertext. Kairos. 2.2, Fall 1997. Liepert, Susan (Canada). Headlong. A futuristic journey. 1997-98. Offline. Liter@tur. Links to the best German Hypertexts. Loader, Jayne (USA) with Elspeth Fahey. Flygirls. Hyperfiction about Amelia Earhart and other women aviators. 1997. Lovejoy,
Margot
(Canada/USA). Parthenia. A
Global Monument to Domestic Violence Victims. Ludin,
Diane (USA).
Harvesting the
Net:: Memory Flesh. 2001. Ludin, Diane (USA) and Ricardo Dominguez (USA). Vanities. Published in frame2. 1998. Luesebrink, Marjorie Coverley (USA). The Personalization of Complexity. frAme 5. 2001. Luesebrink, Marjorie Coverley (USA) and Carolyn Guertin (Canada). Contributing Editors. The Progressive Dinner Party: Selections from Assemblage. A showcase of 39 women web.artists and hypertext authors from around the world, with commentary by N. Katherine Hayles and Talan Memmott. Riding the Meridian, Women and Technology issue. 2000. Luesebrink, Marjorie Coverley (USA) and Jennifer Ley (USA), Editors. Jumpin' at the Diner. A showcase of 40 men web.artists and hypertext authors from around the world, with commentary by Jay David Bolter and Stephanie Strickland. Riding the Meridian. 2001. Luksch, Manu (Austria). Website. Luksch, Manu (Austria) and Armin Medosch (Austria). Die globale Kuh / The Global Cow. In German and English.
© 1995-2005
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