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Please contact the people named in the items below for further information. We accept no liability in connection with the information contained in this list or via the links. See also Competitions and opportunities and Conferences

Items for inclusion should be sent to trace@ntu.ac.uk

Haikumania | Fathom | BeeHive Hypertext/Hypermedia Literary Journal | Poevisioni Video, Computer & Web Poetry | Radio poem 'Rock Music' | Javamuseum | LENS | Raymond Carver Short Story Award | Inside/Outside | CONNECT: Call for contributions| Dystopia + Identity in the Age of Global Communications | Heroic Goes Online | New Media Projects Fund: UK Arts Council | VERYBUSY.ORG (v.3) | Write For Life Competition | Riding the Meridian Lit [art] ure | Shifting Paradigms: Changes in Children's Literature: CFP | EnterText | Writing Conferences from Shawguides | Technologies of the Self. CFP | Jim Crow Museum | A Poet's Pilgrimage | Karenina.it | Treyf | Independent e-Book Awards | 2001 Hobart City Writers’ Residencies | Audio stories sought | Cuckoo | Beecher Center Digital Art Competition | Poetry Award (US) | Alzheimer's disease | Poetry Contest | i-love-u ezine | (t)here | HAUNTED NEWPORT Short Story Contest | Poetry Life web site | CESTA | UpStarts | Poetry Greece Open Poetry Competition | Currents in Electronic Literacy | dotlit | VIRTUAL MORALITY | John Bird website | GETOUTTHERE.BT.COM’S WRITING ZONE | ~ (the poetry) WORM ~ | PROTOCOLLISION | Exploring CyberSociety II | Website Contract | THE THIRD ASHAM AWARD | Kunsthalle Fridericianum Kassel | Soundtoys | scottishinheritance.com | Primal Multiface | Lit-Net | Lexikon

21st December 2000

Haikumania

I am pleased to be able to present new pages at haikumania. "War Crimes" - now includes Ty Hadman's "Dong Ha Haiku" first published in book-form in 1982. These are powerful haiku coming directly out out of Ty's experience of the Vietnam War. Ty has kindly give haikumania the chance to present these haiku on the web. Haikumania is accepting further submissions that link to pieces already on the War Crimes pages or new pieces linking to the theme. There are also new Ren linking out from Museki Abe's "Storm on The Freeway" piece - Ren of Family Relationships and the Ren of Storms (including new work from Hortensia Anderson) A new link from "Slowdance on Beacon Hill" (The Ren of Tetsudo) is also in place.

http://www.haikumaniaren.homestead.com/

Fathom

Art teaches nothing... "Art teaches nothing, except the significance of life." - Henry Miller, 1891-1980, American author Intellectually curious? Explore the Internet's premier destination for interactive knowledge: FATHOM - a consortium of the world's leading universities, museums, libraries and research institutions. You'll benefit from access to intellectually stimulating, authenticated arts education resources - as well as books and online courses. FATHOM delivers innovative learning directly from the creators of the knowledge themselves. Rich, interesting content that's presented in dynamic, engaging and intuitive formats - content you truly cannot find through any other source on the Internet.

BeeHive Hypertext/Hypermedia Literary Journal

Volume 3 : Issue 4 : December 2000 now out
http://beehive.temporalimage.com

IN THIS ISSUE...

TOWARD ELECTRACY : A CONVERSATION WITH GREGORY ULMER

GREGORY ULMER / TALAN MEMMOTT

with an introduction by MARK AMERIKA

Reasoneon, emerAgency, fetishturgy --
BeeHive Editor Talan Memmott and theorist Gregory Ulmer sit down (at
opposite ends of the American continent) to discuss this, that and
electracy...

TIDELAND by M.D. COVERLEY

hypermedia contemplation....

The ART OF M[EZ]ANG.ELLE.ING: CONSTRUCTING POLYSEMIC & NEOLOGY FIC/FACTIONS
ONLINE by MEZ BREEZE

writing on writing....

TECHNOCRIME and OTHERS by KENJI SIRATORI

short, abstract techno-fiction from Japan
including -- 'Technocrime', 'n+a+n+o(:tragedy of this electron theory)', and
'SCAN!'

RECOMBINANT / CODE POETRY by RE_WORKINPR

poetical, textual montage

THE ILLUSTRATED RAD / A SHORT HISTORY OF TOOLMAKING

by I.B. RAD

Radical, illustrated poetic commentary...

Poevisioni Video, Computer & Web Poetry

Curator: Caterina Davinio
In the Sixties the linearity of the poetic text was fragmented, deconstructed, broken thanks to the ironic, playful intervention of desecration of the visual and performative poets. At the same time continued the research of the pioneers of the international electronic art, but the to ambits remained mainly separated, and the performance saw, at the beginning of the Nineties, still the centrality of the performer body, when, in the electronic art, the artists already began to speak about the concept of collective author, also referring to the web-art. I direct my attention toward those video and computer artist (recently CD and web artist) who tried an experimentation in contact with the poetry text in its larger conception: as linear, visual, sonore, performative text, founding a new discourse that I find very interesting also as artist. The presented authors come from different experiences: literature, cinema, photography, visual arts, performance, and, in this variety, they contribute to create an frontier area of contamination between the languages, that is the contemporary art. (Davinio)

Negli anni Sessanta la linearità del testo poetico era frammentata, decostruita, infranta da un impeto dissacratore, ironico, ludico, dai poeti visivi e performativi. Nello stesso tempo procedeva la ricerca dei pionieri internazionali delle arti elettroniche, ma i due ambiti rimanevano in circuiti separati e la performance poetica vedeva in Italia ancora all'inizio degli anni 90 la centralità del corpo del performer, quando già nell'ambito delle arti visive si parlava di realtà virtuali, di autore collettivo, anche in relazione al web. Ho concentrato negli anni il mio interesse verso quei video e computer artisti, e recentemente autori di CD d'arte e di web art, che cercano un confronto col testo poetico nella sua accezione più ampia: da quello lineare a quello visivo, sonoro, performativo, gettando le basi per un discorso nuovo che m'interessa anche come artista. Gli artisti provengono da esperienze e formazioni diverse: letteratura, cinema, fotografia, arti visive, performance,e, pur nella diversità,contribuiscono tutti a creare quel territorio di confine e contaminazione tra linguaggi che è l'arte contemporanea. (Davinio)

http://space.tin.it/arte/cprezi/poevisioni2000catalogo.htm

Radio poem 'Rock Music'

by trAce member and former Wired Poet Elizabeth James, and Jane Draycott ('Prince Rupert's Drop', OUP, 1999) will be broadcast on Christmas Day between 2 and 3 p.m. on LBC Radio (frequency 1152AM for people in the area of London, England) and http://www.lbc.co.uk/ . The piece lasts about 20 minutes, and is constructed as a montage of location recordings of a rock climber, interviews with visitors in an art gallery, poetry, and music. It was commissioned by Independent Radio Drama Productions, and will also be available for a month on their website http://www.irdp.co.uk/

Javamuseum

***CALL FOR ARTISTS***
**Deadline for submissions 31th March 2001**

JavaMuseum - Forum for Internet Technologies in Contemporary Art www.javamuseum.de
(JAVA=Joint Advanced Virtual Affairs)

is happy to launch its first project
"1st of JAVA - Perspectives on New Media"

Artists are invited to submit their excellent art works (URLs) in the categories
Flash, Quicktime, HTML, VRML, Java, Javascript, DHTML
or Miscellaneous (technologies which do not fit in these afore mentioned categories, for example, by requiring an uncommon plug-in).
In the categories Flash and Quicktime can alternatively also movies be submitted via email ( .swf and .mov files not larger than 2MB).

"1st of Java - Perspectives on New Media"
has no special subject. It is the intension of the project to represent a snap shot of the actual artistic working using Internet technologies.
The project will further form the basis for coming projects to be realized.

From all submissions the best will be selected in each category and represented in online shows starting in
May 2001.

The Call for Artists, the submission form and listings are published on JavaMuseum site www.javamuseum.de,
the submission form can be accessed also directly http://www.javamuseum.de/firstofjava.htm

**Deadline for submissions 31th March 2001**

JavaMuseum - Forum for Internet Technologies in Contemporary Art realizes projects related to Art and Technology in cooperation, either online or in a combination and exchange between the virtual level of the Internet and a physically real exhibition environment.

JavaMuseum- Forum for Internet Technologies in Contemporary Art
www.javamuseum.de
represents an integral part of the
NewMediaArtProjectNetwork - Le Musée di-visioniste.

Editor
Wilfried Agricola de Cologne
info@javamuseum.de

LENS:

Identity February 4-6, 2001 California Top scientists and technologists meet artists, philosophers, business leaders, and policy makers to discuss the changing nature of human identity in the face of rapid technological advances. Monterey, California. www.projectlens.org

Raymond Carver Short Story Award

Carve Magazine is pleased to announce the Establishment of one of the Northwest's Premier Writing Contests: The Raymond Carver Short Story Award at the University of Washington, the only writing contest honoring Raymond Carver founded with the express consent of his widow and estate executor, Tess Gallagher

Prize $1000 and publication in the March 1st, 2001 Edition of Carve Magazine
guest editor of that edition will be Tess Gallagher
Contest Judge, Kathleen Alcala
contest open to all writers except Fiction Writers' Association members and their families guidelines:
submit only previously unpublished work no simultaneous submissions, please!
no word count requirement
literary fiction only!
no micros, genre, or experimental fiction,
please entry fee $12.00 (U.S. funds)
note entries as "attention Raymond Carver Award"
entry deadline is midnight, February 15th, 2001
winning entry will be announced and read at our March 3rd Anniversary Banquet
Submit your entry electronically.
Mail entry fee in check or money order payable to: Fiction Writers’ Association Student Activities Office Box 187 University of Washington Box 352238 Seattle, WA 98195

http://www.carvezine.com/sumbissionpage.htm

Inside/Outside
25th - 29th April 2001
Osnabrueck

European Media Art Festival presents diverse cross section of media art productions from internationally renowned artists as well as innovative works from creative young talents.
http://www.emaf.de/2001/english.html

CONNECT: Call for contributions

art.politics.theory.practice New York 'Technology.' Contributions can take the form of short essays, literary prose, poetry and performance texts, short commentaries of a critical or historical nature, informational announcements, interviews, and reproductions of visual art of all genres, including web-based productions. Jargon-free prose with limited citations no more than 3,000 words in length. rsubramaniam@artsinternational.org

Dystopia + Identity in the Age of Global Communications

Tribes Gallery: 285 East Third Street New York, New York USA 10009

Until Jan 13th. featuring works by: Mark Amerika, Zhao Bandi, Betty Beaumont, Mike Bidlo, Natalie Bookchin, Shu Lea Cheang, Ricardo Dominguez, Christoph Draeger, Laura Emrick, Peter Fend, Joy Garnett, Leah Gilliam, Marina Grzinic, Mark Lombardi, Mark Napier, Carsten Nicolai, Roxy Paine, Zhou Tiehai, Maciej Wisniewski, Gu Wenda http://www.artnet.com/tribes.html

Heroic Goes Online
Eastern Touring Agency (UK)

Eastern Touring Agency (ETA) has launched a new online service for people working in the arts. HEROIC is based around easy-to-use discussion groups about the arts and new technology.

The first such discussion is on website design and is hosted by software consultant David Herbert and Robert Sharl.
It costs £10 (+VAT) to subscribe to Heroic.
www.heroic.uk.com

New Media Projects Fund: UK Arts Council

New Media Projects Fund Supports the production, distribution and promotion of small and mid-scale artistically challenging new initiatives which are specifically devised for electronic and networked media platforms, and that are managed by groups of artists or hosted by arts organisations. This fund is devised to encourage an approach that is both critical and experimental, and which expands the potential for new forms of communication and visual language. Guidelines will be available from February 2001. Deadline for applications is 18 May 2001.
www.artscouncil.org.uk/funding/fvisualarts.html

VERYBUSY.ORG (v.3)

The one and only searchengine for NETART related projects.
don't hesitate - submit ya work today.
Autonomous platforum for netartists and related people.
www.verybusy.org

13th December 2000

Write For Life Competition

The Cancer Research Campaign is offering would-be writers the chance to take that first step to literary success and raise funds for vital research, by entering its Write For Life competition.

There are two categories to the competition (now in its fourth year) short story and poetry and it is open to everyone over the age of eighteen. There is a small fee of £5 for each submitted piece of work and you can enter as many times as you wish.

Not only will the best entry in each category win £1,000 but the finalists' scripts will be scrutinised by celebrity judges who will include best selling author Fay Weldon and Bloomsbury publisher Nicky Thompson.

The short stories should be between 1000-2000 words and poems no more than 40 lines. The finalists will be invited to a special reception in London in July 2001. Prizes of £750 and £500 for second and third place in each category will also be awarded.

The competition is open from now until 23 February 2001.
Full details and entry forms are available from our website www.crc.org.uk
under National Events, from The Cancer Research Campaign's 272 high street shops or by sending a stamped, self addressed envelope to: The Competition Secretary, Write For Life Competition, Unit One, Redeham Hall, Redehall Road, Burstow, Surrey. RH6 9RJ

Riding the Meridian -- Winter 2000 -- Lit [art] ure
http://www.heelstone.com/meridian

Literature ... what is happening to literature? Only a year ago, web writers were comfortable calling html-code-intensive works hypertext. But now that term seems lacking, incapable of describing the myriad technical approaches available and the creative changes which working in a web-specific medium has wrought. This is what we choose to call lit [art] ure.

Classic text poetry to hypermedia presentations and points between: the Work

Randy Adams, Michael Basinski, Tom Bell, Charles Bernstein and Susan Bee, Diane Caney, M.D. Coverley, Loss Pequeño Glazier, Diane Greco, Jack Kimball, Amy King, David Knoebel, Dan Machlin, Karen Mac Cormack, Mez, Janet Owen, Mark Peters, Carlyle Reedy, Ernest Slyman, Alaric Sumner, Lawrence Upton, Joel Weishaus

Jumpin' at the Diner -- a survey of web-specific literature created by men, curated by Marjorie Coverley Luesebrink with Jennifer Ley -- commentary by Jay David Bolter and Stephanie Strickland

Dialogue -- a round table discussion with Loss Pequeño Glazier, Judy Malloy, Johanna
Drucker and Mark Amerika

Theory and Practice -- Helen Adam's Sweet Company by Kristin Prevallet

A Review of Johanna Drucker's Figuring the Word by Ramez Qureshi

Web cover art adaptation by Ted Warnell
Contributing Editors: Mike Kelleher and Marjorie Coverley Luesebrink
Copy Editor: Dan Waber
Publisher and Editor: Jennifer Ley
Queries: jley@heelstone.com

Shifting Paradigms: Changes in Children's Literature: Call for papers

The Children's Literature Society of the American Literature Association will be hosting two panels at the upcoming ALA 2001 conference, to be held in Cambridge, MA from May 24-May 27.

Suggestions for topics include, but are not limited to: the changing role of children within children's literature; changes in audience and author motive when writing children's literature; the role of age and gender in children's literature; how illustration in children's lit has changed; children's literature as a genre, its transformations; the changing role of child as reader and consumer; etc.

--one may submit a proposal on any aspect of change within American children's literature, including its texts, its audiences, its reception, its production, its authors, etc.

Proposals are due JANUARY 13, 2001. Please send 2 copies of 2-page proposals to: judith.girardi@cgu.edu

EnterText

An interactive interdisciplinary e-journal for cultural and historical studies and creative work
http://www.brunel.ac.uk/faculty/arts/EnterText

Call for Papers for Spring 2001 EnterText: TEXT TO SCREEN | SCREEN TO TEXT

From the dramatisations of classic fiction or the novelisations of blockbuster movies, to the cinematic style of modernist writing or the cinephilia of contemporary novelists, the interface between the written and the visual text has rarely been so busy or such a broad focus of critical interest. Submissions which address the relationship between film or television and the literary or historical text are now invited for issue 2 of this referreed journal. Creative work on this theme is also welcome.

Deadline 1 February 2001.

For more information and notes for contributers visit the website
http://www.brunel.ac.uk/faculty/arts/EnterText
or contact the editors: entertext@brunel.ac.uk

EnterText does what few paper journals do: bring together scholarly writings in diverse disciplines, together with cross-disciplinary and interdisciplinary pieces, usually on a themed topic. It also, unusually, includes creative works. Its aim is to foster dialogue and enable
collaborations across traditional disciplinary boundaries. Integral to the journal is discussion and interaction, and a forum has been created for posting comments and conducting debate on the issues raised in both the scholarly and creative pieces in the journal. In specified sections
respondents can enter their own text. It is therefore a site for continuing discourse.

Some Writing Conferences from Shawguides

WRITING, SITTING, WALKING MEDITATION WORKSHOP-NATALIE GOLDBERG 1/7/01 - 1/12/01 and 1/21/01 - 1/26/01 Locations: Taos, New Mexico Focus: Autobiography/memoir Sponsored by The Mabel Dodge Luhan House http://writing.shawguides.com/TheMabelDodgeLuhanHouse

CREATIVITY WORKSHOP 1/27/01 - 1/28/01 Locations: New York, New York Focus: Autobiography/memoir, Fiction, Nonfiction, Playwriting, and Poetry Writing, Drawing, Story Telling and Personal memoir Sponsored by Creativity Workshop: A workshop for writers, artists, and performers to explore the processes of their creative expression and to develop and share work-in-progress. For more information: http://www.creativityworkshop.com/newyork.html

More writers' events at the comprehensive listing of (mostly US) writers' conferences at http://writing.shawguides.com/

Technologies of the Self. Call for Papers

SCMLA's (Tulsa, 2001) Literature and Psychology session, the title of which is "Technologies of the Self." I'm looking for papers that explore how "technologies" of the self such as memory, identity, sexuation, and subjectivity shape and/or are shaped by our cultural, textual, linguistic, and pedaogical practices. The deadline for the receipt of papers or 500-word abstracts is March 15, 2001, and they should be sent to Becky McLaughlin, Department of English, University of South Alabama, Mobile, AL 36688.

Jim Crow Museum

I invite you to visit the Jim Crow Museum website maintained by Ferris State University in Big Rapids, Michigan. It is a collection of racist images and accompanying text designed to promote anti-racism. The museum is both a real place and a virtual site. We add material monthly. Here is the website address:http://www.ferris.edu/news/jimcrow/index.htm.

A Poet's Pilgrimage by Philip Higson

Lexikon Publishing, based in North Staffordshire, is proud to announce the launch of a revealing volume of prose-linked poetry by an accomplished North Midland author who is also internationally active in literary and artistic fields.

We call this volume 'revealing' because it shows how a poet's life and output can be affected by an immense variety of influences. Some of these were obviously positive, like his two years of blissful country childhood at Keele, or four by the visually seductive Dee at Chester. Others presented themselves in a negative guise, like the thwarting of a schoolboy passion for art, which nevertheless helped to focus his attention on poetry, or the rejection of a romantic proposal he made in Wales which provoked his earthy 'love-revolt' in Liverpool

In 1995 this two-part sequence, entitled, Sonnets to My Goddess in This Life and The Next, was published to critical acclaim. M L McCarthy, editor of Candelabrum, described it as "a feast for lovers of poetry, with its sensuous metrical phrasing, its richly inventive imagery, its artful and various rhyme-patterns." Dr Alan Raitt of Magdalen College, Oxford, observed that "the quality of the emotion and the quality of the craftsmanship are equally remarkable." Soon after that, in 1996, it won the David St Thomas Award for a poetry collection and has sold in excess of 1,000 copies.

The Poet's Pilgrimage volume introduced in this release is a new departure in that, for the first time, it traces the poet's creative life to its origins beside providing examples of his writing on many themes, and finally bringing the story of the remarkable rapport with his 'Goddess' right up to date.

A Poet's Pilgrimage, ISBN 0-9539313-0-7 (pbk) price £6.95.
Philip Higson is available for interview. Please telephone +44 (0) 1782 205060.
A Poet's Pilgrimage: The Shaping of a Creative Life is also available as an e-book at www.lexikon-publishing.co.uk/pilgrimage/index.htm

From karenina.it

Grandi festival: WRO2000. Tutto il programma. WRO2000@kultura, Wroclaw, November 20th - December 10th, 2000 International exhibition, congress and artistic activities devoted to changes of art, culture and everyday life in the age of digital technology.

International Exhibition of Centro Nazionale di Drammaturgia / Rome / Italy Aree intermediali - Intermedia From 17 to 26 November - Fifth Edition Teatro Colosseo (Sala Grande) - Ridotto Colosseo (Sala A, B, C)., Via Capo d 'Africa, 5 Roma Experimental Theatre / Multimedia Performance / International video / Digital video / Videoinstallation / Interactive Installation / Stage / Photography / Poetry Performance / Editorial projects for web / The Italian National Centre of Drama, directed by Alfio Petrini, in the "Vetrina", dedicated to the intermedia, which takes pace in Rome (Colosseo Theatre), presents, together with new pieces of research theatre, a rich program of international video, digital video, interactive installations, multimedia performances.

Karenina.it Experimental http://digilander.iol.it/karenina/
Karenina.it Project: who are we and how can you co-operate with us (in Italian) http://geocities.com/Paris/Lights/7323/manifesto.htm
Davinio Art Electronics - Archives / Videotheque / Rome / Milan Art Electronics and Other Writings http://space.tin.it/arte/cprezi

http://www.treyf.com

"Oligopoly, like international diplomacy, labor-management negotiations, and so on, is one of the speediest and most thrilling of sports." new from Treyf Books: Games Oligopolists Play http://www.treyf.com/Books/index.html , by Rob Kovitz Can $20 / US $15

Independent e-Book Awards

Sponsored by the Mystic-Ink Community, the Awards are designed to recognise excellence in electronic books, hypertext and digital storytelling. Contestants must be self-published or published by independent houses, and their entries must have ISBNs and must have been published first as original electronic books. Entries are due December 20. http://www.e-book-awards.com/

2001 Hobart City Writers’ Residencies

These Residencies will support one international writer, plus one published Australian writer, residing in any Australian state or territory outside Tasmania. This program provides each of the successful applicants with a 3-week residency at the Tasmanian Writers’ Centre’s writers’ cottage, in Hobart, Tasmania.

The successful applicant will be provided with: economy return airfare to Hobart; 3 weeks’ accommodation at the Kelly Street writers’ cottage, a stipend of $AUD440 as a contribution towards general living expenses; a fee of $AUD760 for conducting two full-day writing workshops.

Applications close 31 January 2001. Application forms from Joe Bugden, Director, at writers@trump.net.au or see http://www.fearless.net.au/taswriters/HCCWIRinfo.htm

Audio stories sought

We have a number of audio story content web sites on the internet at various stages of development. At the present time we are totally a small volunteer group of 6 people making everything work. We are always looking for new volunteers to help us in any way. Our primary site is located at http://virtuallyamerican.com and we operate it out of Toronto, Canada. Most of us are Canadian. Please check us out! We also have http:// voicemerchant.com and http://warmweather.com. We are always looking for produced audio stories.

20 tips on getting published

A free article "20 VALUABLE TIPS TO GETTING PUBLISHED" is available for posting to your Web site. You may capture the article at: http://www.powernet.net/~scrnplay/20.html Permission to publish is posted at the bottom of the page.

Cuckoo

Cuckoo is an ongoing itinerant project working gratis with artists and the contemporary art community. (In other words we put on shows in other people¹s galleries.)

Our first installment is at the former Archill Gallery in Auckland, Aotearoa (before the Moving Image Centre¹s programme opens there in February), corner Great North Rd and Elgin St, Grey Lynn.

The first of four projects this summer there will be:

Violet Faigan and Kirsty Cameron, opening 6pm Wednesday 13th December

plus a video programme with work by Tessa Laird, Nova Paul, Dylan Rainforth, Yuk King Tan, Ronnie Vaevae

All shows in this series will be open from 11am-6pm on the Thursday, Friday and Saturday following the opening.

Check our website at http://www.cuckoo.org.nz
or call the inpho line on +64 9 274 8889 ext 8190.

Send us your address and get on the e-mailing list now for updates
cuckoo@cuckoo.org.nz.

Beecher Center Digital Art Competition

CALL FOR ENTRIES 1st prize $1,000; 2nd prize $500; 3rd prize $250. Work must be original and have been created by using a computer. Artists may submit work as slides or on disk (see URL below for details). Submissions are due Feb 1, 2001. Winning entries will be on display for 6 months at the Beecher Center beginning April, 2001. For information: http://www.fpa.ysu.edu/beecher/callforentries.html OR Beecher Center for Technology in the Arts, @ The butler Institute of American Art, 524 Wick Av, Youngstown OH 44502, USA, OR 330-742-7295

Poetry Award (US)

$2500 given annually to honor poet over 40 who has published no more than one book. Submit manuscript of 10 poems max or 20 pages max. Fee $15. For a prospectus send an SASE to: Poetry Society of America, 15 Gramercy Park, New York NY 10003 OR 212-254-9628

Anthology seeks poems about Alzheimer's disease

All emotional reactions or relationships to the disease (patient, caregiver, friend or relative of patient) requested. Please send submissions or SASE for guidelines to: Emily Goodman, 378 7th St #3L, Brooklyn NY 11215 OR engood@compuserve.com

Society for Creative Writers Poetry Contest

Any style or theme. 56 lines maximum. Entry fee $3. http://www.geocities.com/writeron/cont2000.html Feb 28 2001 deadline.

i-love-u ezine

new http://www.i-love-u.ch edition out now! December issue 2000: "Asphalt"

(t)here

a magazine with pictures and words, a project published quarterly from New York. Artists are invited to collaborate on ideas close to their personal work. The subjects range from sculpture, photography, screenplays, fashion and poetry to painting or simply travel. Past contributors have included Timothy Greenfield-Sanders, Whitley Strieber, Dah Len, Billy Corgan, Yelena Yemchuk, Carter Smith, Alain Kirili, Len Prince, Quentin Crisp, Serge Clément, Marina amena, Matt Roberts, Banu Cennetoglu and Stephen Shames.

(t)here hopes to link all art forms through its pages. Painting, theatre, architecture or any other activity that brings beautiful things to life will find a place inside (t)here.

BE A PART OF (t)here:
(t)here magazine is looking for artists to contribute original art for its pages. Now accepting concepts for six pages in Issue 5. No restrictions, needs to be printable over six pages 9 1/4 X 12 inches each. Photo, fiction, music, architecture, theatre,or any art form is acceptable. Do not send original art: slides or (B&W or color)copies only. Include SASE for return. $35 entry fee, make check or money order payable to: (t)here magazine. Deadline is january 30, 2001. Send all material to (t)here magazine "6 pages" 410 W.14th St 3rd Floor New York NY 10014. www.t-here.com

HAUNTED NEWPORT Short Story Contest

Can you SCARE up a spooktacular story about Newport, Rhode Island? First Prize is $500 plus first-time rights publication of winning entry and public reading during annual Haunted Newport celebration in October 2001. $10 entry fee. Deadline: June 1, 2001. See http://www.hauntednewport.com for submission deadlines.

Poetry Life web site

Britain's sharpest poetry magazine. http://freespace.virgin.net/poetry.life/ 18th Open poetry competition £850 of prizes FIRST PRIZE £500 PLUS The winner will be invited to submit five extra poems for publication as Poetry Life Recommendations in the magazine PLUS The winning poem will be published on the Poetry Life web site
Try the How do I love thee? magazine on the same site

CESTA's seventh international arts festival of interdisciplinary collaborations

August 23 through August 27, 2001
CESTA (Cultural Exchange Station in Tábor), Czech Republic

At our 7th international arts festival we want you to laugh.
But first we want to know What's So Funny?

We all appreciate a good joke, a laugh, a smile, but not everything is funny to everyone. Humor is as private as it is public, as cryptic as it is ubiquitous. Comedy plays one of the most important, and yet uncelebrated, roles in social definition. We use humor to relieve one and insult another, to identify and exclude. We know our wit can be as healthy as it is dangerous. How do we tell the difference? What do we learn about each other and ourselves when we laugh?

For What's So Funny? we ask artists from different cultures and artistic media to collaborate using the humor in their work to discover our boundaries. Which ones can we cross safely? Which ones not? And perhaps most importantly, how can we laugh in the process, and at the results?

CESTA's festival themes and parameters of cross-national interdisciplinary collaborations represent the center's commitment to improving communication through creative expression. We base our selection of artists on a review of applications resulting from our annual open call. Applicants request CESTA to connect them with collaboration partners or apply as a pre-formed collaboration group. For What's So Funny? all final festival collaboration groups must contain:

1) more than one artistic medium
2) more than one nationality
3) work created exclusively for What's So Funny?
4) artists with experience in artistic collaboration

Application deadline is January 8, 2001

For an Open Call Application or more information, please contact us at:

CESTA Novakova 387, Tabor 39001, Czech Republic tel: +420-361-258-004 email: cesta@mbox.vol.cz http://www.cesta.cz

29th November 2000

UpStarts

Calling all UpStarts! First UK search for social entrepreneurs launches £50,000 award scheme and website.

The first ever national search is underway  for  UpStarts*. The UpStarts Awards offer a total of £50,000 to help social entrepreneurs with the right spirit, energy and attitude  to get their projects off the ground.

Social entrepreneurs across the country will post their entries on to a especially designed website at www.upstarts.org.uk or by letter. The entry period is November 2000 to May 2001. Entry is free and open to all permanent UK residents.

A distinguished panel of judges will decide the three final winners. Paul Boateng MP, Deputy Home Secretary, Charles Leadbeater, author and journalist and David Willetts MP, Shadow Secretary of State for Social Security, are among the judges ready to sift through the many expected entries.

Full-time commitment to their winning project is a condition of accepting a winner's award. This is an opportunity for three passionate individuals to change their careers and their lives and the lives of others. The Awards will 'buy' them time and space to focus on their project with all the support and mentoring they need provided by UNLTD, the first UK foundation for social entrepreneurs member organisations.

The UpStarts website will also act as an information resource for all entrants with links to  social entrepreneur partner organisations who have just pooled their expertise to launch UNLTD. They are:

UpStarts or more correctly, social entrepreneurs are, "individuals with a vital force for regenerating their communities.
The term is thought to have originated  20 years ago with Ashoka, the US
organisation started by Bill Drayton. More here:
http://www.theatlantic.com/issues/98jan/ashoka.htm.
The name of the awards comes from "start-up" and reflects some of the
individual
qualities needed to be a successful social entrepreneur - spirit, energy and attitude.
email:
neville.barltrop@centrica.co.uk

Change of address for Poetry Greece & Open Poetry Competition

It is now: Mitropolitou Athansiou 10, Triti Parodos, Corfu 49100, Greece.

We have now launched our first Open Poetry Competition to be judged by Roger McGough and the Editors of Poetry Greece, and The Keeley-Sherrard Translation Award for Poetry. to be judged by David Connolly, Jane Assimalopoulos and Saskia Handley.Over One thousand pounds in prize money, deadline February 2001

Currents in Electronic Literacy

Currents (ISSN 1524-6493) is now accepting submissions for a special issue — "New Poetics?" — to be published in the Fall of 2001. Completed articles for this issue are due April 2, 2001.

The proliferation of new media and multi-media "poetry" in recent years raises important questions related to Currents' interest in the intersections of technology with literary and cultural studies, writing, teaching, and literacy. Among these questions are the following:

  • Does this proliferation in new media poetry also imply or represent an emergence of a "New Poetics?"
  • If so, how might this new poetics be described, defined, and implemented?
  • Are text-based electronic environments like MOO's and MUD's a part of this emerging form even when they are not "multi-media?"
  • Does a new poetics suggest a concomitant shift in aesthetics and in culture?
  • What types of "literacy" are required to make sense of this poetry?
  • Given multi-media works' growing need for multiple collaborators -- like programmers and technical specialists -- how are the more traditional notions of authorship, ownership, and "poet" called into question by this new poetics?
  • Is the programmer an artist or a consultant, and does programming itself need to be incorporated into an examination of the poetics?
  • What are the appropriate roles of the academy in terms of teaching and responding critically to this poetry?

In response to these and other relevant questions, Currents is seeking articles on all aspects of this new poetry, including but not limited to those addressing literary, critical, theoretical, authorship, ownership, programming, visual literacy, aesthetic, and teaching issues. We also seek high-quality creative examples of this "New Poetics" which make use of hypertext, hypermedia, multimedia, cybertext, and/or cybermedia. Additionally, prospective contributors are encouraged to call Currents' attention to new work and new sites of work of which we may not be aware for the purpose of suggesting "further readings" to be listed in this special issue.

Currents is a biannual electronic journal published by the Computer Writing and Research Lab of the Division of Rhetoric and Composition at the University of Texas at Austin. Currents' purpose is to provide for the scholarly discussion of issues pertaining to electronic literacy, widely construed. In general, Currents seeks work addressing the use of electronic texts and technologies in reading, writing, teaching, and learning in fields including but not restricted to the following: literature (in English and in other languages), rhetoric and composition, languages (English, foreign, and ESL), communications, media studies, and education. While our focus for the Fall 2001 issue will be "New Poetics," we also welcome early submissions on any aspect of electronic literacy for future issues. You can visit Currents' Spring 2000 issue and our archives at http://www.cwrl.utexas.edu/currents/.

Currents is particularly interested in work which takes advantage of the hypertext possibilities afforded by our World Wide Web publication format, as well as articles concerning the use of emergent electronic technologies. To this end, we gladly accept articles with graphics, sound, and hyperlinks submitted as HTML documents. We ask, however, that such submissions adequately consider reader-access issues.

Currents is also pleased to publish essays in more traditional formats. Please submit these essays either in HTML format, Word 97/98 format, or Rich Text Format (RTF). We accept electronic submissions by email at ejournal@lists.cwrl.utexas.edu or at ejournal@babbage2.cwrl.utexas.edu as well as on 3.5" floppy or Zip disks by post sent to the following address:

Currents in Electronic Literacy
c/o Computer Writing and Research Lab
Parlin 3, University of Texas at Austin
Austin, TX 78712

All submissions should adhere to MLA style guidelines for citations and documentation, which may be found online at http://www.mla.org/main_stl.htm. Currents reserves all copyrights to published articles and requires that all of its articles be housed
on its Web server. If you have any questions, please contact Roger W. Rouland, Coordinating Editor, at ejournal@lists.cwrl.utexas.edu

dotlit

Announcing the release of issue two of dotlit: The Online Journal of Creative Writing

The second issue of dotlit: the Online Journal of Creative Writing continues to publish the best new poetry, short prose fiction and creative nonfiction by established and emerging authors. We have, however, significantly extended this range of the most innovative and exciting creative writing into hypertext and multimedia works, and have also introduced a book review section.

Our featured commissioned work, Circus, is a dazzling suite of 104 poems by Melbourne-based author Antoni Jach. We have suggested a series of links between these poems, providing readers with a series of possible alternate pathways through the cycle. Hypertext writing is a central focus of this
issue, and we are pleased to include the work of nine hypertext writers. These innovative works, freed from the constraints of the printed page, reveal the creative skills and intuition necessary for this adventure. Whichever way our authors have chosen to express their hypertextual creativity, and whichever route you choose to navigate through their works, there are treasures (hidden and otherwise) to be found in this exploration.

We are also currently accepting submissions for the next (May 2001) issue. Read issue 1.2 of dotlit now at http://www.dotlit.qut.edu.au/!

VIRTUAL MORALITY

Morals, Ethics, and New Media; CALL FOR PAPERS

This anthology will examine various ways in which new media affect morals and ethics in society and culture. Papers should be 20-25 pages, and can be submitted via e-mail to Mark.Wolf@cuw.edu, or by mail to Mark J. P. Wolf, Communication Department, Concordia University Wisconsin, Mequon, WI 53097.
The deadline for submissions is Christmas, 2000. The contract for the volume is with Peter Lang Publishers. Topics might include but are not
limited to such things as:

Morals/Ethics in the digital age
Medical ethics and digital technologies
E-mail flaming and other behaviors
Bodies and virtual space
Identity and deception on the internet
Imagery and censorhip in new media
Use of new media by political groups
Vicarious death and virtual mortality
Churches' usage of the internet
Law and new media
Copyright issues in the digital age
E-vangelism on the World Wide Web
Violence and video games
The e-thos of dot-commerce
. . . and so forth . . .

John Bird launches story-based website

www.ABCtales.com

ABCtales.com is a brand new website and magazine dedicated to the development and exposure of new writing. Brainchild of John Bird, founder of The Big Issue magazine, ABCtales.com aims to encourage story-telling on the web.

'Everybody has a story' said John 'and the purpose behind ABCtales.com is to encourage people to tell theirs. This is a website for everyone, if you're an eager reader, an aspiring writer or simply someone with a story to tell. All you have to do is log on and start writing. All writing is published for free on the site and if it's really good we'll select it for the monthly magazine.'

GETOUTTHERE.BT.COM’S WRITING ZONE IS LAUNCHING DECEMBER 2000...

Writers, can upload their work (on any topic) now, so it is online for the launch (Dec 2000). By uploading they stand the chance to have the work read by seasoned novelists including Ed McBain (Cop Hater), aka Evan Hunter (The Blackboard Jungle) and recently the Evan Hunter/McBain collaboration Candyland. Plus Jenny Colgan (Amanda’s Wedding), David Lodge (Small World, Changing Places, Nice Work, Paradise News, Therapy), Ian Rankin (Set in Darkness, Dead Souls), Jake Arnott (The Long Firm) and many more next year.

In addition, getoutthere.bt.com has partnered with Curtis Brown, one of the largest literary agencies in the UK, to help get writers work into the right hands. The charts will be introduced next month. After writers have uploaded their work, it will be read and voted for by other users. No.1 position in the charts will receive a handy laptop to create their masterpiece, and runners-up will win books from the HarperCollins’ website
www.fireandwater.co.uk

Starting in 2001, writers can win dream prizes of meetings with agents, authors and publishers. In addition, together with publishers HarperCollins, getoutthere.bt.com will also publish regular supplements featuring winners’ work. Writers should visit www.getoutthere.bt.com to discover out how to upload work into the following five categories: poetry, short stories, scripts, journalism and novels (first chapter or story outline only).

~~~~~~~~ (the poetry) WORM ~~~~~~~

Issue 6 now out of ~~~~~(the poetry) WORM the thinking man's maggot.

Issue 7 of ~ (the poetry) Worm ~ is now accepting submissions. If you are reading this you are eligible to submit material. Please send in a couple for consideration to john@ below. Closing date is Friday the 15th Dec.

Many of the poets appearing in ~ (the poetry) Worm ~ feature on The Works email forum. You can join in, and it's simple. Just send a blank email to: penninepoetryworks-subscribe@listbot.com The Works provides quality feedback on work-in-progress, plus links, news and general discussion. The Works is not an on-line forum. It uses mailgroup technology. And is free!

You can get further information from john@villarana.freeserve.co.uk or by
visiting our website: www.penninepoetry.co.uk Enjoy!

PROTOCOLLISION

Online from November 1st through to December 31st 2000
http://www.protocollision.org
Featuring websites by:
Daniel Rodenburg, D:U:M:B., Gabrielle Marks & Stefan Kunzmann, JODI, 0010(NL)
Akitsugu Maebayashi, doubleNegatives, exonemo, Mami Iwasaki, Yuki Kimura (JP)
Webmasters: Squint
Selection of Dutch artists: CELL - Initiators of Incidents - Selection of Japanese artists: Kazunao Abe & Yukiko Shikata

PROTOCOLLISION can be described as a "work in progress" by Japanese and Dutch webartists, curators, programmers and theoreticians and public. During two months, the website www.protocollision.org - which is created especially for this occasion - will constantly change and expanded with individual and collective sites and textual contributions.

Squint is responsible for the basic site in the form of a database, becoming more layered as the number of works increase. Initially the participating artists will develop autonomous websites. These are sites that explore the (im)possibilities of the medium from various angles, such as: the working of language(generators) and databases, the (il)logic of searchengines, sound as an interface and programs as a means of visual communication.
Because the contributions are both Japanese and Dutch it is especially interesting to view the possible similarities and differences in the methods of working and the results of the works: are cultural differences erased when making use of such a globally orientated medium or do they reappear instead? In addition to these basic sites there is space for collaboration between the participants; for linking, copying and interfering with each other's works: these are the locations where protocols are traversed, where a collision is forced. Various respondents have been invited, a/o David
d'Heilly, Henk Oosterling, Maki Ueda, Maholo Uchida, to follow the developments and contribute textual donations.

Naturally the public also has the opportunity to respond!

*PROTOCOLLISION is presented (live) in*
-Tokyo
December 7th, from 19:00-21:00 at Digital Hollywood(Blgdg. 2-3 Kanda Surugadai, Chiyoda-ku, Tokyo)
Presentation of the Japanese participants and curators.
-Paris
December 9th, from 15.00u. through to 15.30 hours at Forum des images, kamer 40 in Paris, on the invitation of the International Symposium of
Electronic Arts (ISEA2000)
-Tokyo (online with Rotterdam) "PROTOCOLLISION at Yohei's House"(in the frame of "Yohei's Project" December 22nd, 19:00-22:00, Japanese artists and respondents, curators hold on-line event from Yohei's House(an old Japanese big house).

for further information:
-[The Netherlands] CELL cell@cell.nl, tel. 010-4127270 fax:010-4127040
-[Japan] protocollision@gol.com, 070-5457-1665

Exploring CyberSociety II: Newcastle, UK

School of Social, Political and Economic Sciences, University of Northumbria at Newcastle,

Call for papers from the Cyber Society Research Unit
Dissent and deviance in the Information Age
To be held at University of Northumbria 9-11 July 2001

Following on the success of the First Exploring Cyber Society International Conference at Northumbria University in July 1999, the second International Conference will focus on disruptive and oppositional currents within cyber-society. We are interested in such phenomena as computer hacking; the sending of logic bombs and viruses; denial of service attacks; circulation of criminal and obscene material, and the co-ordination of real world activities ranging from organised criminality to legitimate popular protest. The motivations and concerns behind such activities are, of course, highly disparate. However, what they share is an attitude of dissent that conflicts with the benign vision of the 'networked society' and a
willingness to explore the opportunities for deviance that are opened up by computer networks. The aim of the conference is to explore this idea and its implications for the future shape of a society whose infrastructure is increasingly dependent upon the smooth running of computer networks.

Papers are invited under the following themes (though these are not exclusive and any proposal relevant to the theme of the conference will be
considered):

  • The networked infrastructure of the information society and the problem of new vulnerabilities.
  • Globalisation, computer crime and the use of computer networks by organised crime
  • The computer underground, hackers, computer-addiction and psycho-pathologies associated with computer (mis-)use
  • 'Cyber-terrorism' and 'hacktivism'
  • Security, policing and legal aspects of computer crime

We welcome papers of a theoretical or empirical nature and would particularly like to see as many disciplinary perspectives as possible represented.

Call for Papers: the Deadlines: Abstracts (maximum 500 words) should be submitted by Friday January 26th 2001.
A decision on acceptance will be made by Friday 9th March 2001.
Completed papers should be submitted by Friday 1st June 2001 to be included in a volume of the conference proceedings which will be provided to all conference members. The writers of papers should note that at least one author will be required to register for the conference and be in attendance to present the paper. A book including a selection of the papers presented at the conference is planned.

Further details of the conference programme will be provided at our web site http://www.unn.ac.uk/corporate/cybersociety/

Conference Organisers: Graeme Kirkpatrick, Kevin McLoughlin, Lorna Kennedy (Conference Administrator), Peter Francis

Please send abstracts and conference bookings (see attached Booking Form)
to Lorna Kennedy, School of Social, Political and Economic Sciences, Northumberland Building, University of Northumbria, Newcastle upon Tyne, NE1 8ST UK. lorna.kennedy@unn.ac.uk Phone: +44 (0) 191 227 4937. Fax: +44 (0) 191 227 4515

Website Contract

Artswork, a national youth arts development agency based in Southampton, wishes to invite tenders from parties interested in building and designing a website for the organisation. The deadline for completed tenders is 10 January 2001. The project is funded by a Small Scale Capital Lottery award.

For an information pack and brief, please contact:

Karen Shaw
Administrator
Artswork
Meridian Broadcasting
Television Centre
Southampton
SO14 0PZ

T: 023 8071 2246
E: karen@artswork.demon.co.uk

9th November 2000

THE THIRD ASHAM AWARD

The UK's most valuable prize for new short stories by women, the third Asham Award, sponsored by Waterstone's, is launched this autumn with prizes totalling over £3,000.

The Award was set up by the Asham Literary Endowment Trust in 1996 to commemorate Virginia Woolf's years at Asham House near Lewes, East Sussex. Uniquely among literary prizes, the Asham Award offers its winners publication alongside established women writers. Patricia Duncker, A.L.Kennedy, Elena Lappin, Kate Pullinger and Carol Shields will all feature in the next collection, along with the ten new award winners. The collection will be published by Serpent's Tail in 2002.

The judges for the third award are:

* Kate Pullinger, novelist and short story writer
* Pete Ayrton of Serpent's Tail, publisher of the first two
Asham Award anthologies.
* Annie Morris, of Waterstone's

Said Pete Ayrton: "The short story is the fictional form of the 21st century. The presence of big name writers in the Asham collections guarantees a readership for the stunning, innovative talents of the prize-winners."

Serpent's Tail also published the first two Asham collections: The Catch (1998) and Reshape Whilst Damp (2000).

The competition is again being sponsored by Waterstone's which is putting up the prize money. Of the competition, Waterstone's press and publicity manager Jo Humphreys-Davies said "Waterstone's are delighted to be supporting the Asham Award for the third year and to see the Award going from strength to strength”

Competition details
· Deadline for entries is 31 January 2001. Stories must be no more than 4,000 words long; there is no particular theme. The judges are looking for “writing to make them sit up and take notice”
· Application forms are available from the Administrator; Asham Literary Endowment Trust, 32, High Street, Lewes, East Sussex BN7 2LX (include SAE) or from Waterstones branches nationwide. The form can also be downloaded from www.waterstones.co.uk

For further information contact: Carole Buchan 01273 484400
carole.buchan@lewes.gov.uk

Kunsthalle Fridericianum Kassel
11. November 2000 - 4. März 2001:

FLEXIBILITÄTSVERSUCHE (Rundgang VI)
(Flexibilityattempts)
Heike Aumüller (Karlsruhe), Nine Budde (Weimar), Annelise Coste (Paris), Andreas Hirsch (Köln), Ashkan Mohammadi (Essen), Sandra Schäfer (Karlsruhe), Ralf Schreiber (Köln), Silke Wagner (Frankfurt), Mark Wehrmann (Hamburg), Moritz Wiedemann (Kassel). Kuratiert von Tobias Berger.

16:oo h
Tamara Grcic - Fridericianum 12.11.2000 - 4.3.2001
bis 4. März 2001

Internetgallery:
Do-it-digital.com präsentiert:
What's the story -Scores von
Francis Alÿs (Belgien / Mexiko)
Christian Jankowski (Deutschland),
Hayley Newman (England)
Shimabuku (Japan)
Konzept: Tobias Berger, Design und Programm: Norbert Bayer und Yariv Alter Fin
SORRY RUNS ON NETSCAPE ONLY !!!

Kunsthalle Museum Fridericianum, Friedrichsplatz 18, D-34117 Kassel,
Tel. 0561 - 707 2720, Fax 0561 - 77 45 78,
http://www.fridericianum-kassel.de; e-mail: info@documenta.de
Öffnungszeiten: Mi-So 10-18 Uhr; Do 10-20 Uhr, Mi freier Eintritt
Kostenlose Turnusführungen jeden Sonn- und Feiertag um 15 Uhr; Gruppenführungen nach Vereinbarung.

Wenn Sie in Zukunft keine Mails mehr von der Museum Fridericianum Mailinglist wollen: tb@documenta.de
If you want to be removed from the Museum Fridericianum mailinglist: tb@documenta.de

25th October 2000

Soundtoys..., the first version has gone live

Soundtoys.net ... new audio visual arts site.....version 2000.

Soundtoys is a new resource and fun site. This site has just gone live so thanks to the all who have helped make version one such a success. And thanks to all those artists who have contributed, helped, offered advice particularly.....STANZA.TINA LA PORTA.JULIAN BAKER.BRAD TODD.ADE WARD.ANDY GREENWOOD.BETH CAREY.CHRIS YEWELL.TOMOO.ANDY WILSON.CARLA DIANA.MICHAEL TROMMER.JUDSON WRIGHT.SIMON TYSZKO.STEVE CLARK.MIKEY RIGLEY.ROBERT HOCKING.ALLIAX.

The site features sound toys and multimedia experiments, generative music and new explorations in interactive media. This site explores the parameters of this new media world.

Work produced for the soundtoys site includes immersive sound environment in three d from Stanza and a generative environment from Julian Baker. Many web technologies are explored including shockwave, flash, vrml, java, and offer insights into the diversive and creative nature of the web available to todays artists.

Soundtoys also links extensively to sites on the world wide web, and to sites were research into the various areas of sound, music, and audiovisual art may be explored.

Soundtoys bring together a new relationship for the creation of music and interactivity and allows the audience some control in the enjoyment of the music. This change in the relationship between the audience and the artist will radically change our aesthetic perception. It is this concept of the individual functioning simultaneously as producer and consumer that underpins the nature of multimedia. The user can choose what they experience, synthesising media in the process. Soundtoys can start to produce code that reproduces our creative output. Generated programmes like super collider allow this. Soundtoys view is that anyone or anything that can be seen to have a relationship with the work is regarded as having some authorial position relative to it. This is a key issue in the new dynamics of interactive multimedia. Soundtoys do exist as art, toys, games, generative music, interactive environments, shockwaves, environments etc.

THE FUTURE>>>

We are looking for artists, musicians who may want to contribute interactive web sound toys , and texts, to the website/ (see website for more information). As well as exposure through this website the work will be promoted worldwide at festivals. A book and cdrom are are planned, so please contact us and send in material.

info@soundtoys.net

www.soundtoys.net

scottishinheritance.com

scottishinheritance.com is an on-line exhibition of picture-poems which reflect upon the scottish landscape. The site has recently been elected by poetry.com as one of the best 60 poetry web sites of the 6000 worldwide poetry sites which have been submitted to their site. The Association of Scottish Literary Studies have identified the site as being of sufficient merit to include alongside the main literary figures of Scottish literature. The exhibition will also be displayed at the Scottish Writer's Museum on Edinburgh's Royal Mile from January - April 2001.

La vitrine de la création contemporaine #5

www.expo4art.com

Ce mois-ci, nous avons de nouvelles surprises à vous présenter.

Nous avons doublé le nombre des créateurs de notre agenda, car nous avons dû ré-harmoniser cette partie du site.

Nous avons décidé d'abandonner les explosions de fenêtres, et de cesser d'inonder leurs tableaux. A présent, vous pourrez sélectionner une liste de créateurs en fonction de différents critères : thématique, alphabétique et d'autres que nous venons de rajouter. Nous espérons ainsi que vous surferez plus longtemps sur nos pages.
En résumé: de nombreuses découvertes vous attendent.
Chaque jour, nous vous surprendrons avec la mise en valeur d'un nouveau créateur.

Enfin, expo4art, qui rassemble désormais dans sa galerie en ligne une centaine de créateurs issus des arts plastiques, appliqués, scéniques et de l'artisanat, en profitera pour présenter le nouveau design de son site, enrichi de 2 autres rubriques :
- " La Boutique ", qui offre des réductions à tous les internautes sur certaines œuvres bien-sûr, mais aussi sur des voyages culturels, des publications, etc
- " Travail ", un service original , qui diffuse les annonces d'emploi et les concours de la fonction publique dans le domaine de l'art et de la création.

Si vous souhaitez recevoir gratuitement cette lettre chaque mois, vous pouvez facilement vous ABONNER en cliquant ici: http://www.expo4art.com/Francais/Registre.htm.

La vitrine de la création contemporaine www.expo4art.com traite chaque mois de l'actualité de la création. Il est édité par AnaPhiL.

Si vous souhaitez ne plus recevoir d'informations de la part d'expo4art merci de nous le signaler.
Des commentaires ? Adressez un mail à philippe@expo4art.com © AnaPhiL

The shop window of the contemporary creation #5

This month, we have new surprises to present to you.

We doubled the number of creators, because we had to re-harmonize this part of the site.

We decided to abandon explosions of windows, and to stop flooding with pictures. Now, you will be able to select a list of creators according to different criteria: thematic, alphabetic and of others that we have just added. We hope as well as you will surf longer on our pages.
In summary: numerous discoveries wait for you.
Every day, we will surprise you with a new creator.

Finally, expo4art, the online gallery will present the new design of our site, enriched with 2 other categories,:
- " The Boutique ",
- Work ".

Primal Multiface

contemporary art, sex, virtual reality, primale experience, VRML...

Book Announcement

It wanted to give gratuitous diffusion to an investigation book (it is not commercial). It speaks on Philosophy, Psychology, Physics, Biology, History, Art, Aesthetic, Ethical, Politics, Economy and Theology. Have the amiability to distribute to its Web site http://www.geocities.com/FilosofiaCT to the respective departments and professionals. Thank you very much, Eugene M. Tait

Lit-Net

As well as an up-to-date and comprehensive literature listing for the West Midlands, at the moment Lit-Net has ‘Widdicombe Corner,’ a quick guide to pharmacologically influenced literature from Samuel Taylor Coleridge to Irving Welsh, and from this weekend a poem relating to the Hatfield rail crash – both directly accessible from the home poem.

You also will see some improvements in how lit-net’s home and events pages are configured. Any comments about these and lit-net gratefully received.

Lexikon

Francis Anderson, editor of Lexikon and co-ordinator of the Staffordshire Readers & Writers Festival has asked me to spread the word for ideas, suggestions, authors, workshops….for next year’s Festival (8th October to 13th October 2001) If you have any ideas, could you contact Francis directly editor@lexikon-publishing.co.uk. You can find out more about this year’s Festival by visiting Lexikon’s website www.lexikon-publishing.co.uk

ongoing

National Association of Writers in Education
have a selection of UK literature news at
http://www.nawe.co.uk/noticeboard


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