Today's poet almost certainly can't help but think about how their poem looks on a page. It's easy to change line breaks, stanza breaks, word spacing, line length and fonts with a word processing program. And it's interesting to see how changing the line length or a stanza break can slightly alter the meaning of the text. But what happens when we take the words out of the poem and the letters out of the words and play with their relation to the page? What happens when the visual form of the poem is as important as the words that make it?

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