Each of the Narrators, Augusta, Kaye, and Calvin have their own paths through the various Journeys. In The Journey South, Comets in the Yard, Augusta introduces herself, tells her Backstory, and begins the chronolgy of the search for the Califia Gold. |
Backstory |
Story Glimpses: |
Story Glimspes |
End Augusta |
Backstory | |
Digging For the Comets in the Yard
The painted rock was near the place I
remembered, but I wasn't altogether sure.
Jack Summerland, my father, had been in the
habit of burying things in different places so that he could dig them up
again. The earth yielded easily to the shovel.
If the gold isn't under the red rock, I thought, I'd have a lot
of ground to cover. The back hill is about two acres of hemlock,
eucalyptus, overgrown shrubs of dubious origin, and date palms.
When I was a child, Grandma Flossie's yard had seemed vast:
there was plenty of room to play movie stars on location, cowboys
and Indians, and pioneers coming West. Later, after Flossie died, and my parents and I
moved here, I was more interested in real boys and not getting dirty.
So, only when Father wanted to show me the new location of the
gold coins, did I venture down the back hill.
Whitley Heights
is
a small outcropping of "old
Spanish" houses on the knoll between the Hollywood Bowl and the
freeway-- an island of historic California in the shabby metropolis. The
slope ends at the apartment houses on Franklin Avenue.
You can sail a Frisbee over to Hollywood Boulevard from here. In the daytime, the streets that border the
fence are visited by the lost--tourists, teenagers, and the homeless.
That's why I was digging for the gold at dawn. When the hole was a foot deep, I decided to make
it wider. The thing about this burying exercise was that
my father wasn't the only one who liked the idea of buried gold.
Hiding your treasures was a family trait.
I believe that they did it for pleasure as much as safety.
Hope was the attraction, the source of joy.
Should life become barren of prospects, well, there was always
the almost-forgotten piece of worthless
land, the oil stock
certificates languishing in the strong box,
the Bette Davis jewelry collection, the Baja
Mission Gold Mine Map.
Secrecy was also a big element, so I didn't have very much concrete
information about my great great-grandfather's gold mine or the strange
circumstances of
John Summerland's
death,
Uncle Erk's
plane
crash, or Aunt Rosalind's
days
of archery and Hearst Castle
parties.
When Grandma Flossie had related stories of the generations, they'd
seemed fragments of fanciful legends, distant and imaginary.
Like playing make-believe on the hill. But, by the time I was an adult, I recognized
the family mythology as the wishful thinking of a bunch of eccentrics.
And the buried treasures might be priceless or
worthless, depending on your faith in the long shot. The gold coins were real, though.
I'd seen Father dig up the large, gray tube, add another year's
collection of Mexican Eagle coins or Kruggerands, and bury it again in
another spot on the hill. I was sure there was enough money under the
ground somewhere to take care of bills for good while.
I kept digging. Father had started accumulating the gold coins
when we moved into the house after Grandma died.
Despite my aversion to chiggers and dirt, he would take me with
him down the hill every time he added more money.
He'd dig up the container, carefully undo the tattered,
blue wool
wrapping,
add the new coins, and quickly transfer the package to a freshly-dug
hole. He'd spend a long time
camouflaging the location, placing the red rock nearby, compacting the
dirt, arranging the weeds.
Then, he'd straighten up and say: "Now, Augusta, if anything should
happen to your mother or me, or there should be an earthquake, or the
banks close, or the aqueduct fails, I want you to remember where the
comets
are
buried now." Once, I asked him why he called the coins
"comets." "Because they are round.
And because we don't want anyone to know what we are talking
about if we have to mention them in public." Even after I got married and then divorced,
Father continued to remind me about the movement of the gold around the
hillside. I'd go for dinner
every Sunday, and, after dessert, every year or so, he'd invite me into
the study for a private talk. He'd always show me the neatly filed Last
Will and Testament and then say:
"Why don't we take a walk down the hill and check the location of
the comets?"
Father's anticipation of calamity and preference for private banking
spilled over into a distrust of lawyers and commercial institutions.
He came by these suspicions the same way that he inherited the
love of buried gold and secrecy--a legacy from the life and death of
his father, John Summerland. The story told about my grandfather was that,
due to his untimely death, the Califia mine, and the lack of a Last Will
and Testament, his estate was tied up in the courts for ten years.
When the lawyers and creditors were done, nothing was left. "When someone dies, they close up all the bank
accounts, you know," Father would say darkly.
Then he'd take me out on the hill and have me commit to memory
the new directions. Finally,
he'd hide a neat but unidentified drawing in his desk. All those years, I was pretty relaxed about
remembering each of the locations because I figured he'd be moving the
coins again, sometime in the near future.
He hadn't said anything about the comets during the last couple
of months before his death; I thought it was safe to assume that he
hadn't moved the cache. So what I was after was actual and concrete and
(I believed at the time) a sure thing. But almost two feet down, it
seemed like the ground had been disturbed recently.
That was a bad sign.
Perhaps my father had dug up the coins only to
bury them deeper in the same spot.
Or maybe he had moved them again and forgotten to tell me.
Or maybe someone else had dug them up.
Or maybe I had the wrong place. Still, there was nothing to do but continue.
It was almost effortless, shoveling out a hole in the
lightly-compacted earth. How deep did he bury this stuff?
He had always dug deep holes, three feet at least to plant
tomatoes. It
wasn't that I was anxious to run down to the discos (or the malls) of
Hollywood
and
squander this very small fortune.
I was desperate. I'd been divorced for a few years and I was
broke. By the time I had
finally got my life together and a real estate license, the market was
busted. I hadn't sold one house in over a year.
Although Father had prudently pre-paid funeral,
mortuary, and plot lots for himself and mother, it costs so much to die. And it continued to cost so much for Mother. And the bank accounts were closed temporarily. And then there was the issue of my mother's
signature. Buried gold was just the thing for emergencies. By the time the excavation was about two feet
deep and pretty big around, the sun was up and it was getting hot.
But, no rubber tube. Halfway
into the next shovelful, the metal struck hard pack.
If someone had gotten deeper than this, it had to be with a
pickaxe. I dug some more
around the edges, but all I found was a shred of the
blue wool
wrapping.
Then I heard Calvin
walking his dogs down
the hill. Calvin lives alone
in the house next door; he keeps a close watch on the neighborhood when
he's not working on a movie—finding props for vintage films or
something. He'd be surprised
to find me digging up the hillside first thing in the morning. Time to ditch the shovel.
Covering up the hole could wait til later.
I tried to slip back up the hill to the garage. "Augusta!"
Calvin shouted. He
came scrambling through the brush.
Beads of sweat ran down his round forehead and glistened in his spiky,
orange hair. His
dogs, Fred and Ginger,
hustled
up behind him. Slipping away
was out of the question. I
gave up, and we met at the fence. "We have to stop meeting like this!" He's about ten years younger than me, flirts a
little. I was grateful to him for all his help during
the funeral, so I didn't want to snub him, exactly.
But I didn't want to answer questions, either.
He said something about the beautiful sunrise.
"Just what you should be doing.
Up and out—don't let the sun catch you crying."
Talks in old song titles and movie quotes. I nodded. "And...digging for something?"
The busybody. "Tomatoes. Time to plant tomatoes."
"Aah,"
Calvin said easily, "I thought it might be gold you were digging
for." Ten beats.
"Why would you think that?"
"Something Violet
said
a few years ago...you know."
He was referring to the first years of my mother's Alzheimer's, when she
was just confused, would get in long conversations with the checker at
the market. Would think the UPS man was a dinner guest.
Would tell salesmen who came to the door that she was engaged in
secret work for the City of Los Angeles. Calvin probably got a lot of information from
Mother. "By the way...have you told Violet?"
"Yes,
a couple of times. But I
don't know if she understands."
When I told my mother that Father was dead, she
had looked sad for a few minutes.
But then she had reverted to a question she repeated often,
"Where's Jack?" Perhaps she
only responded to my tone of voice.
But who knew what she remembered, what she understood? "I
miss them both,"
Calvin
said.
"Be glad to help you dig." I shrugged.
"You know my father, he had some crazy ideas—the hole in his
head, you know." "Not crazy, he always had a grand plan.
If I were you, I'd leave no mattress unturned."
**** |
Story glimspes |
End Augusta |
Califia Re | Roadhead | The Journey South | The Journey East | The Journey North | The Journey West |
Archives | Star Charts | Map Case | Augusta | Kaye | Calvin |