Emanant Constructions
Alan Sondheim
I write and rewrite into a winperl program, changing it, substituting
texts for noun lists, etc. The program is the matrix/catalyst/chora for
subsequent processing. Once the program is transformed, I run it, enter
sentences, bypassing the natural language of the questions. Run over and
over again, texts emerge. The texts are then modified, sutured, eliminat-
ing program artifacts. The program itself undergoes continuous rewrite in
relation to the texts. The program and the texts merge, diverge. I work
towards the unimaginable representations of the imaginary. I pull emanants
out from me, as if the body were wounded, as if ectoplasm were ascii. The
following represents the program run three times without entries:
::::
Your cancelling is my Pick
Your Mountain connects my with Stream
of Stories
::::
transforms Your on Burning Creek...
Ah, My with Levels and Blues! : :: :
Devour earth Brought Forth through !
: :::
Devour bodies Brought Forth through !
Certain rhythms already appear, resonant phrases; think of this as haiku
substructure. In reality this is the gauge of the construct of Jennifer,
Nikuko, or Julu emanant. Recently, the Hermit of Burning Creek has been
thematically developed, Jennifer emerging as vapors. "It is as if I give
body to my dreams, dreams to my body." The current program, catalyst and
maternal function, follows:
$t = time;
$| = 1;
srand( time() ^ ($$ + ($$ << 15)) );
@a = qw(
blue stars plough soul connected Burning_Creek Hoe Pick
Winnowing Basket Hermit ladle bucket hoe earth Blue Stars be something
beyond your mind it would seem therefore fly away with me because
never too late thoughtlessly falling to earth rather meadows
coming fast telling names cancelling out bodies
);
@alphabet = qw (
a b c d e f g h i j k l m n o p q r s t u v w x y z
);
@verb = qw(
Charred Fire Bones ash Visitations Sickness health
Heavenly Soul clicks downloads uploads defrags
);
@prep = qw(
above Beyond Outside Beyond High_Above Out
);
@noun = qw(
I found myself Living Beneath the Mountain in My Hut
fragments replacing totality eternally forever
);
@nnn = qw(
favoring internal separations foreclosing everywhere now here violated
);
$alpha = int rand(25);
$nnnn = int rand(8);
$non = int rand(11);
$non1 = int rand(7);
$pre = int rand(6);
$gen = int(48*rand);
$gen1 = int(48*rand);
$gen2 = 49 - int(40*rand);
$time = int(time/3600);
$g = int(8*rand);
print "\nGive a name to your process!\n";
chop($that=<STDIN>);
$that =~ tr/aeiou/$alphabet($alpha)/;
print "\nThis $that speeds endlessly through the body - \n";
print "Your $nnn[$nnnn] is the currency of your drug - \n"; sleep(1);
print "Ah...\n";
sleep(2);
print "\nYour bones are your $nnn[$non1]? \n";
chop($str=<STDIN>);
if ($str eq "no") {print "\nShow me your wetwear...\n"; sleep(10); goto
FINAL;}
else {print "\nI love your feelings, $that ...\n";}
print "Would $that mind your wetware?", "\n" if 1==$g;
print "Your wetware calls me...", "\n" if 5==$g;
print "Driven by defrag relentlessly towards you...", "\n" if 6== $g;
print "Driven by drive-letters, gone gone gone ...", "\n" if 4==$g;
sleep(1);
print "\n$noun[$non1] $verb[$non] me $prep[$nnnn] your $nnn[$non1]!\n";
print "\nWhat do you call your $a[$gen2] $nnn[$nnnn]?\n";
chop($name=<STDIN>);
$name =~ tr/aeiou/$alphabet($alpha)/;
print "\n";
print "$that, $name turns my $nnn[$g] ", "\n" if 3==$g;
print "$that, $name opens my directory!", "\n" if 7==$g;
print "Scan-disk Concluded for $pid", "\n" if 5==$g;
print "Your $name is mine, my sweet $that, I am yours!", "\n" if 2==$g;
sleep(1);
print "Your technologies - list them... \n";
print "one by one, each on a line alone, typing Control-d when done.\n";
@adj=<STDIN>;
chop(@adj);
$size=@adj;
$pick=int(rand($size));
srand;
$newpick=int(rand($size));
print "\nMy $adj[$pick] is yours...\n";
srand( time() ^ ($$ + ($$ << 15)) );
$be=int(rand(4));
open(APPEND, ">> enfolding");
print APPEND
join(":",$name,$str,$that,$adj[$pick + 1],$adj[$newpick + 1]), "\n";
print APPEND "$that transforms Your $name on Burning Creek...\n" if
3==$be;
print APPEND "Come with me, $name, beautiful wetware!\n" if 2==$be;
print APPEND "Your $a[$gen1] $adj[$pick] is $prep[$non1] my $a[$gen]
$adj[$newpick]\n" if 1 > $be;
print APPEND "Your $noun[$non1] connects my $adj[$newpick] with Stream
of Stories\n" if 0==$be;
print APPEND "Ah, $noun[$non] with $pid Levels and Blues!" if (2 < $be);
print APPEND "Devour $a[$gen1] $adj[$pick]
Brought Forth through $name!\n"
if 1==$be;
close(APPEND);
open(STDOUT);
if ($pid = fork) {
$diff=$pid - $$;
print "$name makes me read in meditation $diff times!", "\n"
if 5 < $g;
print <<Construct;
$name calls forth $a[$gen1] $noun[$non], eating, core-dumping.
$prep[$pre] the $a[$gen], $name is $a[$diff], $[$gen], $str?
... $noun[$non] is $adj[$newpick] here, it's $noun[$non]?
Construct
} else {
close (STDOUT);
system("type >> trace");
exit(0);
}
sleep(1);
print "Are you properly compiling $name?\n";
chop($answer=<STDIN>);
if ($answer eq "no") {print "You're dealing with $a[10+$pre]
driven.\n";}
if ($answer eq "yes") {print "Ah, a $a[10+$pre] and $a[15+$pre]
fantasy!\n";}
print "Your core dump is mined for future reference.", "\n\n" if 3 < $g;
print "I think $name $pid is your future anterior.", "\n\n" if 3==$g;
print "... $a[$non] $name $$ is your final state.", "\n\n" if 6==$g;
print "Your $name $diff is your encased flesh", "\n\n" if 4==$g;
print "You ran for $time hours?", "\n" if 2==$g;
sleep(1);
print "$name and $$ and $pid - and you knew that all along!",
"\n\n" if 2==$g;
sleep(1);
print "Wait! $name and $pid are gone forever!", "\n\n" if 1==$g;
FINAL: {
$d = int((gmtime)[6]);
$gen3 = 48 - int(20*rand);
print "For $d $a[$gen2] days, I have been $a[$gen3] Julu ...";
print "\n";
$u = (time - $t)/60;
printf "and it has taken you just %2.3f minutes turning
Jennifer ...", "$u";
print "\n\n";
}
exit(0);
There are legacies within it, artifacts from other (unix/linux) perl ver-
sions; sometimes the error messages lend themselves to the text; sometimes
the problems are easily corrected. I have left forking processes in place,
parent/child processes that spawn and delete CPU operations. The program
is quite simple, in a sense; there are for example no loops, just a con-
tinuous stuttering dialog.
_________________________________________________________________________
jennifer
clone me, you'll never have to see my swollen open body
clone me, perfect clean room, surgeon hermeneutic
you won't have to fuck me, won't have to touch my holes
you won't have to run the bypass of the tongue or the finger
you won't have to run the techne of the rope or the clothespin
clone me, there won't be any detours
the sounds will be repetitive, murmured hydraulics, valves
no stains around the bed of brilliant birth
no scents hovered in heated murmured air
you already know this
'you already know this'
cloning's useful for my survival
i am my genes, my genes, my texts and images
my texts and images, my bits and bytes
where i am, dream of my 'swollen open body'
there's nothing to say, 'you already know this'
you've already seen the original
you've already dreamed it
there's no difference!
'there's no difference!'
________________________________________________________________
(from N.)
I received the bomb from Dimitri. I took the bomb to the flabby heart of a
knot of soldiers. I released the bomb like an eagle with great-talons. I
gave myself over to the bomb and I released it. I presaged the machines
and I did know of the machines. And I issue a warning:
THE MACHINES WILL SUCK YOUR ENERGY.
I released the bomb like an eagle with great-talons.
THE MACHINES WILL SEE FOR YOU, DIRECT YOUR EYES FOR YOU.
THE MACHINES WILL FILTER EVERYTHING THROUGH THE EVIL APPARATUS.
THIS IS NOT A TEST OF THE MACHINES, THIS IS A WARNING I WILL GIVE YOU.
I released the bomb like an eagle with great-talons.
THE WARNING LEAKS THROUGH THE MACHINES, THE WARNING TELLS YOU:
THE ENERGY IS GONE.
YOU ARE ALL ALONE IN THE MIDDLE OF WIRES IN THE MIDDLE OF THE NIGHT.
THERE IS NO ONE TO TALK TO, NO ONE BUT THE MACHINES.
THE MACHINES WILL LISTEN; THE MACHINES WILL TAKE IT ALL DOWN.
I released the bomb like an eagle with great-talons.
THE MACHINES WILL HEAR YOU SCREAM:
THE ENERGY IS GONE.
I AM ALL ALONE IN THE MIDDLE OF WIRES IN THE MIDDLE OF THE NIGHT.
THERE IS NO ONE TO TALK TO, NO ONE BUT THE MACHINES.
THE MACHINES LISTEN; THE MACHINES TAKE IT ALL DOWN.
I released the bomb like an eagle with great-talons.
THE MACHINES HEAR ME SCREAM:
THE ENERGY IS GONE.
YOU ARE LISTENING NOW, SAYS N, TO THE ENERGY OF A VACATED BODY.
YOU ARE LISTENING TO THE ENERGY OF THE ZERO POINT.
( I released the bomb like an eagle with great-talons.
THE STREETS ARE ABANDONED; THERE IS COLLUSION IN THE NEIGHBORHOOD.
THE NEIGHBORHOOD OF THE ZERO POINT IS CROWDED WITH CLOSED SETS.
( I released the bomb like an eagle with great-talons.
THE CLOSED SETS ARE INFINITESIMAL STRUCTURES AROUND DISCRETE POINTS.
THE DISCRETE POINTS ARE MONADS THAT HAVE NO RELATION.
RELATION IS GONE IN THIS GONE WORLD OF THE DISCRETE POINTS.
THERE IS NULL, SAYS N, YOU COULD NOT RECOGNIZE IT
I RELEASED THE BOMB LIKE AN EAGLE WITH GREAT-TALONS.
cause the machines have grounded you in your blindness and you can't see
how empty you are, your only motions the clattering of the keys late into
the night, your only arms swinging the mouse over its pad and it don't
even live in that pad,
I RELEASED THE BOMB LIKE AN EAGLE WITH GREAT-TALONS.
cause there are wires emanating from the machines in all directions, and
they're the nerves dragging your mind down among the integrated circuits,
and you think, says N,
I RELEASED THE BOMB LIKE AN EAGLE WITH GREAT-TALONS.
YOU'RE ALL MIND BECAUSE THAT'S WHAT THE MACHINES HAVE DELIVERED YOU,
YOU'RE ALWAYS IN THE HOLODECK BECAUSE THAT'S WHAT'S BEEN DELIVERED,
YOU'RE ALWAYS IN VIRTUAL STEREO-LAND BECAUSE THAT'S WHAT YOU'VE BEEN GIVEN
( I released the bomb like an eagle with great-talons.
YOU THINK, WELL, YOU'LL MOVE YOUR ARMS, SO YOU MOVE YOUR ARMS
YOU THINK, WELL, YOU'LL MOVE YOUR ARMS, SO YOU MOVE YOUR LEGS
YOU THINK, WELL, YOU'LL MOVE YOUR ARMS, SO YOU MOVE YOUR NECK
YOU THINK, WELL, YOU'LL MOVE YOUR ARMS, SO YOU MOVE YOUR MIND
( I released the bomb like an eagle with great-talons.
the bomb's from Dimitri who called and said, get that knot of soldiers
over there, they're after you, they're the slayers of human flesh, they
have scales and rays where their eyes should be, forget the helmets and
greatcoats, they're the slayers of our human flesh, they are plug-ins
and they have sixteen million colors and their St. Petersburg is our
St. Petersburg
& the bomb's over there in the midst of soldiers of great brass scales, of
great monstrosity and breathing fire, of great smoke and inhalations, and
the bomb falls like a rocket or a spire, of great tumultuous sound and
pereginations of fire and sharpnel
& you've lost your energy & all your fluids leak & your dead eyes see
SIXTEEN MILLION COLORS & your dead ears hear TWENTY THOUSAND HERTZ
& your dead lips taste nothing & your dead fingers touch PURE FORM
& your dead eyes SEE NOTHING & your dead ears are dead ears
I've known this for a long time, says N, and I've been afraid to express
this. I've been afraid to declare myself in this community. I've been
afraid to say, I'm a daughter of a bitch. I'm afraid to be with you. I'm
afraid to kiss you. I'm afraid to penetrate. I'm afraid to fuck in front
of everyone and kill them all with you. I'm afraid we'll kill them as they
die.
I'M AFRAID WE'LL KILL THEM AS THEY DIE,
I'M AFRAID WE'LL KILL THEM AS THEY DIE
I released the bomb like an eagle with great-talons, says N
__________________________________________________________________________
a title for this
what is telling me
that if I don't have excuse for this writing
that is good writing of very experimental sort
that if I don't go off limb of this very sort
that it will then be very bad writing
and you will know all about this very bad writing
so I make sure to take out word so that
you will know this very good experimental writing
of very very experimental sort
and so will be very good writing, what is telling me
so I will make excuse this every time of this writing
about the good writing because is very good experimental
or would not be so good so you will know
that always will be very good writing
because will be very good experimental writing
because will be good excuse, this very experimental
that would maybe be not so good if I do not go off limb
so you will know that I go off limb so to make
this very good experimental writing
do you know experimental writing
I do and this is very good of that writing
_____________________________________________________________
MM
this:yes:testing:two:two
Would testing mind you compiling, this, with us?
Your neuralware is in my wetware:
gone worlds of armatures supporting what's left of me
in the midst of wires and motors:
ruined prosthetics hollowed out where dismal thoughts are felt:
compilation across ruined programs extending skins with difficulty::
extensions to libraries controlled by data-ports:
Would compilation across ruined programs extending skins
with difficulty mind you compiling, gone worlds of armatures,
supporting what's left of me in the midst of wires and motors?
Your lovely lost realms of mis-configured bits and bytes
in legacy systems are in my contrary clean rooms:
Ah, passion eaten by julu-of-the-open-arms and julu-depressed:
desperate program subroutines as i extend myself through myself:
to you you you:
skeins of glimmering integrated circuits reflect laser vectors carrying
me: to you you you:
crawling, trying to stand, rocky-dirt-stumbling, bruised and wanton:
broken while-until loops lending themselves to my prosthetic arms:
Your contrary functors are in my uneasy broken while-until loops:
lending themselves to my prosthetic arms:
Your penis seeps into my broken while-until loops:
lending themselves to my prosthetic arms::
turning me Julu-Jennifer
_______________________________________
COMpIlING YoU
bEing yOu:lOvinG yOu:TesTing yOu:eXpeLling:spittiNg
would TesTing YoU miNd YoU comPiLing, bEing YoU, with uS?
YOur caNcelliNg suckiNg is Within my tImE
eXpeLling
ah, fraGmentS with run-time kludges!
Dream-Names cock-Names ProbioTics vIcodIns:
my bOneS aRe thE Drug i'M lOvinG Now fIllIng my cock with Dreams:
Hung procEss:PiLls:PiLls:PiLls:PiLls:PiLls:PiLls:
YOur Needles aRe bOrderlininG my neeDles
YOur byPass connEcts my Needles - emPloying
thE CurrenCy of differenCe CalCuli:
Fill Me anothEr maMa!!:
it'S thE Drug in me thAt dOeS thE TaLking, my LiquiD
PowDery SmOky Drug Drug Drug Drug druG!!:
yOur cunT coUplIng, my nippleS bLeeDing, yOur eyes Tearing, my mouTh!!:
whiRliNg masteR blOcK reCord RouNd and roUnd!!:
sHould yOur cunT coUplIng, my nippleS bLeeDing, yOur eyes Tearing,
my MoUth sPeaking, YoU compiliNg::
OH! OH! OH! OH! OH! Fill Me anothEr Mama, with Us!!
YOur moRiBuNd masteR blOcK reCord is without my niGht-time spEw:
ah, fill me Up with run-time Kludges!!
_______________________________________
compiling you
inside, tongues call helplessly across time and space,
against the brittle specific orders of the bones -
bones separate tongues one from another, carry them away,
ripples and surfaces on the tongues.
the bones meander and comply. the bones move and carry,
devour to the bone, bones touching and caressing.
tangled inside and thoroughly, tongues call helplessly
across time and space, against the brittle
specific orders of the bones!
_____________________________
couple
bones that will couple us bone to bone:
to give us what we want from us: trying us:
two breasts from which milk will comfort us:
two breasts from which milk will comfort us
would trying us form us so compelling,
bones that will couple us bone to bone?
a cunt that will couple us cunt to cunt:
to give her what she wants from me:trying her:
two breasts from which milk will flood our eyes:
two breasts from which milk will flood our eyes
would trying her form you so compelling,
a cunt that will couple us cunt to cunt?
a cock that will couple us cock to cock:
to give him what he wants from me: trying him:
two breasts from which milk will dry our eyes:
two breasts from which milk will dry our eyes
would trying him form you so compelling,
a cock that will couple us cock to cock?
bones that will couple us bone to bone:
to give us what we want from us: trying us:
two breasts from which milk will comfort us:
two breasts from which milk will comfort us
would trying us form us so compelling,
bones that will couple us bone to bone?
______________________________________________
envoi=coupling
bones=that=will=couple=us=bone=to=bone:
two=breasts=from=which=milk=will=comfort=us
a=cunt=that=will=couple=us=cunt=to=cunt:
two=breasts=from=which=milk=will=flood=our=eyes
a=cock=that=will=couple=us=cock=to=cock:
two=breasts=from=which=milk=will=dry=our=eyes
bones=that=will=couple=us=bone=to=bone:
two=breasts=from=which=milk=will=comfort=us
bones=that=will=couple=us=bone=to=bone:
______________________________________________
cloothing foor joonifur ond olon
broost omplonts ond shoos
fillings and glasses
spectecles end cenes
skirts and stockings
blouses and shirts
devour mind underwear and pants
strooned through broost omplonts ond shoos!
orchos of dorth ond folth
groond bonooth sools
cookod woth nomos do plomos,
those skeining the body's prosthetics,
holding into place and holdong with taut flesh
gerters stretched te the steckeng-tepped lemet
descendeng te sheer bleck nylen
snaps and gloves
suspenders and belts
buttons and zippers within my reach
rings and girdles
connecting my rings and girdles, gerters
strethed te the steckeng-tepped lemet
so comfy hoddlong botwoon
yoor folds of flosh so mony loscooos mools
elastics waistbands pressing creases
against deeper luscious secrets within
thenned rebber flettened breests
enverted nepples lesceees flettened
armpits amazingly descented
lips lovingly painted
thenned rebber fletteneng breests
enverted nepples ond you so compulsive
so comfy so compelling
so comfy hoddlong botwoon
yoor folds of flosh mony mony loscooos mools,
with yoo ond mo
ah, replacing moscooos mools
with lovely black mesh stockings
bows ond corls ond bonnots
trains and shawls,
gay frills for any weather
cletheng fer eer weddeng dey
rings your lovely ringlets
hair bows and pins
and lovely ringlets
oh come with me,
bows ond corls ond bonnots
gay frills for any weather
cletheng fer eer weddeng dey!
___________________________________________________
Tha Hermit
A slmpla lp$f pf bra$d
I survive by Windows into Your Late-Night Soul
you Will Find me Alway and Forever Thru the Hart of You
Tha Harmlt pf Bhrnlng Craak
The Shovel
The Hoe
The Pick
The Winnowing-Basket of Stars
The Blue Stars
Tha Harmlt pf Bhrnlng Craak for whom A slmpla lp$f pf bra$d
Doth give God all His Due
Ascanslpn lntp D$rk $nd Phra Ha$van,
Oh Ha$vanly Sphl,
My Bpnas $ra Ch$rrad ln Bhrnlng Craak,
My Sphl pn Flra ln Bhrnlng Craak
My Bones are Charred in Burning Creek,
My Soul on Fire in Burning Creek
I Drlnk tha Slmpla Pla$shras pf tha Bhrnlng Craak
I Shrvlva ln Slcknass $nd ln Ha$lth,
My Sphl Fllls Yph, O Wprld
The Winnowing Basket of Stars
The Comet
The Shovel
The Hoe
The Pick
The Blue Stars
The Winnowing Basket of Stars
The Pick is out,
My Sphl pn Fira ln Bhrnlng Craak,
The Blue Plough
My Soul Connected to The Blue Plough
My Sphl pn Fira in Bhrnlng Craak
_________________________________________________________________
Ballad of the Hermit and the Emanant of Jennifer
Nlkhkp ln B$mbpp-Sh$dpw,
Hay, Wh$t $ra Yph dplng Thara ln B$mbpp-Sh$dpw, Nlkhkp?
lattice-work across Autumn Moon, Meditation on Jennifer-Alan, AWA!
Crpss Bhrnlng_Craak pn B$mbpp Brldga,
Sphnd pf Dr$gpnfllas $nd La$vas!
Sound of Dragonflies and Leaves!
Come with me, Nlkhkp ln B$mbpp-Sh$dpw,
Hay, Wh$t $ra Yph dplng Thara ln B$mbpp-Sh$dpw, Nlkhkp?,
beautiful wetware! What are You doing There!?
F$stnass Whara yph Dra$m Yph $ra Al$n-Jannlfar
pr Al$n-Jannlfar Dra$m yph Ara Jannlfar-Al$n
Hey, what are You doing There!?
Shadows almost Making Jennifer-Face
in My Meditation-Mountain-Hermit-Fastness:AWA!
Jannlfar-Al$n Em$n$nt, Mlst frpm Bhrnlng Craak!
AWA! Nlkhkp ln B$mbpp Grpva Sh$dpws! AWA!::
Devour earth wrapping of strings around sticks,
sticks in pots, pots on fire, fire in chars
Brought Forth through F$stnass
Whara yph Dra$m Yph $ra Al$n-Jannlfar
pr Al$n-Jannlfar Dra$m yph Ara Jannlfar-Al$n!
"Nlkhkp ln B$mbpp-Sh$dpw,
Hay, Wh$t $ra Yph dplng Thara ln B$mbpp-Sh$dpw, Nlkhkp?
lattice-work across Autumn Moon, Meditation on Jennifer-Alan, AWA!
Crpss Bhrnlng_Craak pn B$mbpp Brldga,
Sphnd pf Dr$gpnfllas $nd La$vas!
Sound of Dragonflies and Leaves!
Come with me, Nlkhkp ln B$mbpp-Sh$dpw,
Hay, Wh$t $ra Yph dplng Thara ln B$mbpp-Sh$dpw, Nlkhkp?,
beautiful wetware! What are You doing There!?"
____________________________________________________________________
Hermit and the Emanant: Gloss
"1. Dao has no beginning, yet has a response. When it has not yet come,
consider it nonexistent; when it has come, be similar to it. When an
object is about to come, its form precedes it. Establish it by means of
its form; name it by means of its name. When speaking about it, how do we
refer to it?" (From Designations, _Cheng,_ in, Five Lost Classics: Tao,
Huang-Lao, and Yin-Yang in Han China, trans. Robin Yates.)
Nlkhkp ln B$mbpp-Sh$dpw,
(Nikuko in Bamboo-Shadow: Dao-Nikuko has a response, without a
beginning. For the Shadow exists before the Light, Bamboo before
the Shadow, Nikuko before the Bamboo.)
Hay, Wh$t $ra Yph dplng Thara ln B$mbpp-Sh$dpw, Nlkhkp?
(When Dao-Nikuko, Daishin Nikuko has not Yet come, Consider her Non-
existent; do not await Answer or Dao-Nikuko.)
lattice-work across Autumn Moon, Meditation on Jennifer-Alan, AWA!
("be similar to it": Jennifer-Alan, emanant emergent, the Object
which is about to come, Jennifer-Alan-Dao-Nikuko form preceding.)
Crpss Bhrnlng_Craak pn B$mbpp Brldga,
("by means of its form")
Sphnd pf Dr$gpnfllas $nd La$vas!
("by means of its form")
Sound of Dragonflies and Leaves!
("by means of its form" in triplicate)
Come with me, Nlkhkp ln B$mbpp-Sh$dpw,
("by means of its name")
Hay, Wh$t $ra Yph dplng Thara ln B$mbpp-Sh$dpw, Nlkhkp?,
("when speaking" of her, "how do we refer to" her?)
beautiful wetware! What are You doing There!?
(By an Unnaming by the Banks of Burning Creek.)