In the Olympian boudoir of Aphrodite Porne play os plagued by strident rules and divisions.
In the Olympian boudoir of Aphrodite Porne strident rules and divisions plague play.
All interaction is collision, combustion, buttressed friction stone to stone, to bring us to this point, pinnacle, a sensual antenna. Faults, and fissure-slips...
In the Olympian boudoir of Aphrodite Porne strident rules and divisions plague play.
All interaction is collision, combustion, buttressed friction stone to stone, to bring us to this point, pinnacle, a sensual antenna. Faults, and fissure-slips...
The ero-tectonics of Bronzino's tongue-machine.
In the Olympian boudoir of Aphrodite Porne strident rules and divisions plague play.
All interaction is collision, combustion, buttressed friction stone to stone, to bring us to this point, pinnacle, a sensual antenna. Faults, and fissure-slips...
The ero-tectonics of Bronzino's tongue-machine.
Disarmed by Aprhodite Porne, Eros is left vulnerable, reduced and cupidized. Folly is exposed as secondary agent of Eros as the reduced, co-joined Eros-Folly passes through an uncertain androgyny -- replacing Eros with errows.arrows.Rrose.rose. Now in the hands of Folly, the incapacitating power of Eros' arrows is lost, shot as harmless petal pranks -- tossing off and out.
In the Olympian boudoir of Aphrodite Porne strident rules and divisions plague play.
All interaction is collision, combustion, buttressed friction stone to stone, to bring us to this point, pinnacle, a sensual antenna. Faults, and fissure-slips...
The ero-tectonics of Bronzino's tongue-machine.
The tongue -machine takes on a triangular shape as this third agent is of use to both of the primary cogs of the central mechanism, the collision and friction between Eros and Aphrodite. From the smirk on Aphrodite's face to the taunting nipple pinch, Folly plays a role as motivator toward pleasure, toward an amorphous and e-motional coupling that questions as it defines -- Bronzino recognizes the indeterminability of pleasure as the currency of his upper-crust contemporaies...
In the Olympian boudoir of Aphrodite Porne strident rules and divisions plague play.
All interaction is collision, combustion, buttressed friction stone to stone, to bring us to this point, pinnacle, a sensual antenna. Faults, and fissure-slips...
The ero-tectonics of Bronzino's tongue-machine.
Dismembered and scattered across the picture plane.
Humor is exposed as an erotic force
The Comedian accidentally happens upon the act -- arrows.Rrose.rose penetrating passion.
The tongue-machine takes on a triangular shape as this third agent is of use to both of the primary cogs of the central mechanism, the collision and friction between Eros and Aphrodite. From the smirk on Aphrodite's face to the taunting nipple pinch, Folly plays a role as motivator toward pleasure, toward an amorphous and e-motional coupling that questions as it defines -- Bronzino recognizes the indeterminability of pleasure as the currency of his upper-crust contemporaies...
In the Olympian boudoir of Aphrodite Porne strident rules and divisions plague play.
All interaction is collision, combustion, buttressed friction stone to stone, to bring us to this point, pinnacle, a sensual antenna. Faults, and fissure-slips...
The ero-tectonics of Bronzino's tongue-machine.
Disarmed by Aprhodite Porne, Eros is left vulnerable, reduced and cupidized. Folly is exposed as secondary agent of Eros as the reduced, co-joined Eros-Folly passes through an uncertain androgyny -- replacing Eros with errows.arrows.Rrose.rose. Now in the hands of Folly, the incapacitating power of Eros' arrows is lost, shot as harmless petal pranks -- tossing off and out.
The friction of the fissure-slips throws off agency like shrapnel from the central "splat", agents lovers are blind to... The hidden participants and eyes all around, within.
From the surface of your eye, the space between here and the picture plane -- Bronzino seduces the erosion of the fine...
to colonize the other
to colonize the (m)other
from the smallest spark
from the smallest spark
EXPLODES
an opportunity to disarm the silly boy.
an opportunity to advance upon the woman.
