"One of the most pervasive ideas in mathematics is that of geometrization. This means, basically, visualization of all kinds of things as points of a space." David Ruelle in Chance and Chaos.

Using a Timeline in dynamic html, one can begin an event at one point, have another event begin at another and switch images in mid air (as if on a flying trapeze). Creating Timelines, a sometimes arduous process, enforces a temporal awareness.

Stein often pivoted in midair to change a subject. And as the earth is all covered with people this is not a question because listen to me does anybody know for certain how many characters there are. From the play Listen to Me. The subject changed, but there was no travel. This was a play-poem, could the trapeze act be done in printed fiction. Listen to me. I remember repeatedly striking typewriter keys to make boldface for Italian Smoking Piece. When finished, I knew I needed a computer, I was straining the tool.

Coding with dhtml, I believe, influences what is being created. I'm using graphs and elements of code in the actual work itself. I'm showing the underwear of the page or parts of the process used by various software programs—such as Flash. The continual use of the grid and the matrix leads to a geometrization of the interface, which is conceptually significant. I predict those working with dynamic html will experience increased dimensionality and depth. The resulting products will have the power to move others.

Fiction and spatial possibilities are a significantly uncharted area. Most fiction is flush left on the page and hasn't deviated from that in hundreds of years. Text, image and space have always been related but now I think this area will be tackled more directly.