Being a cataloguer, a librarian, a doorway oneself, is a sad profession.
It demands a high level of loneliness for proficiency.
People who have many friends cannot be good librarians.
Saul knew this loneliness better than others: the entrance to his shop opened
onto a popular square, filled with
popular people
who busied about in chatty
well-dressed ways. He could see them as phantoms outside the leaded glass of his odd
data shop. Sometimes he would take pictures of their blurred outlines through the
glass and draw in the rest with dry erase markers which were still produced by penal
camps in Georgia.
Saul does almost one thing.
Saul sells data to a niche audience.
Many of the transactions which keep Saul in business occur outside of his purview.
Subroutines, dependent intelligences, even foreigners, researchers, tax-deductible cults,
spies and enemies all contact his rather formidable database through a maze of myriad
channels and connections.
INTERACTION MANIFESTS ITSELF THROUGH RECOGNITION, SYMPATHY, AND
WITNESS AS MUCH AS THROUGH IMPERSONATION, PERCEPTION, AND EXPLORATION.
APPREHENSION OF CHARACTER
IS
PARTICIPATORY DESIGN.
Inherited
from his father, and his father before him, who spent all of his pittance to buy the
aging microfilm and electronic data collection labeled "Other" at the New York
Public Library, and then the famous "Extraneous" collection of the Library of Congress,
the data now in his keeping is a virtual monopoly of irrelevant nicknacks from the beginning of
recorded time. The collection is periodically updated by a biker named Mordechai O'Hennessy.
Saul makes his money from small transaction fees. So small, in fact, that it is cheaper to
pay for a continual connection to his database rather than store the data on your own.
Natasha opened the vent a touch to spill a bit of heat. "We go down now, Boris," she assured him, "so as to faithfully execute Fearless Leader's master plan." And it all seemed so peaceful. |