<h2>(print: (passage:)'s name)</h2>
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She was in [[love|really]]. She had never been in [[love|not really]] before. Never had experienced that tingling that radiated new sensations down her arms, through her legs, a lightness in her feet. But was it [[real|true love]] or just a passing [[fancy|crushed dreams]]?
Time would [[tell|truths]], the stories said. Yet time here might be years or days or decades or minutes or centuries. And she desperately wanted to know now. No [[telling|falsehoods]] what might happen in the future.
//By Deena Larsen for Dr. Ted Fordyce's class as an example of a hypertext that uses semantic and double-meaning links. Download this and open in Twine to see the rationale behind the links. //
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<img src="love300.png" alt=a woman in love with a question mark>
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<!--this passage is setting up three dichotomies on the origin word for each link pair:
a pair showing that this could be either way--is it real or not, on the same word.
love going to real love
love going to disappointment and being duped
A more conventional semantic link where the reader going to real will find it real and the reader going to fancy will see that the word "fancy" can be a fantasy and not real.
real going to true love
fancy going to crushed dreams
A time dichotomy that is brought out more by the links, which do not go where they are expected.
The future tense tell goes to the past searching for truth, which jars the reader, echoing the mixed up time periods in the sentence
Telling goes to the present and is false, and thus disappoints the reader-->
<h2>(print: (passage:)'s name)</h2>
She had [[read about|truths]] love in so many places, so many sonnets. So many songs.
Yet she never [[really]] finished the songs. She never truly listened to what the next line was, and what lay under the [[surface|always ends]].
(cycling-link:"Moons and ferris wheels","But now it's just another show. . .You leave 'em laughing when you go")
(cycling-link:"For I have sworn thee fair, and thought thee bright,","Who art as black as hell, as dark as night.")
(cycling-link:"Back in that time when every melody was you and me","The words we used to sing before it went wrong")
(cycling-link:"'Cause I see sparks fly, whenever you smile","My mind forgets to remind me you're a bad idea")
(cycling-link:"Listen, as you call my name. . .You're somebody I can believe in","Disenchanted, once more. . . Disillusioned, encore")
<!--this is actually another type of linking, called allusion. You take certain words from a piece or mention a hero from another story, and that brings in the entire piece.--><h2>(print: (passage:)'s name)</h2>
The songs kept going through her head, and she knew all of the words. But she had never put the [[words together|not really]] with those [[giddy|A typical love story]] heights [[before|always ends]].
(cycling-link: "Moons and ferris wheels", "For I have sworn thee fair, and thought thee bright,", "Back in that time when every melody was you and me","'Cause I see sparks fly, whenever you smile","Listen, as you call my name"). <h2>(print: (passage:)'s name)</h2>
The way to tell you are truly in love, someone once told her, was to look in the mirror and repeat the beloved's [[name|truths]]. And see if you smile with your entire face, your forehead, your eyes, your nose, as well as your mouth.
And so she brushed her hair 100 times in the mirror, each time repeating that [[name|falsehoods]].
She thought she could feel the smile each time. But she wasn't [[sure|always ends]].
<!--here the ending link is actually a navigational link, but the sense will still be different each time as the origin word differs while the link stays the same--><h2>(print: (passage:)'s name)</h2>
Wait, what? You thought I was being [[serious|really]]?
How much of [[an idiot|falsehoods]] could you [[be|always ends]]?<h2>(print: (passage:)'s name)</h2>
When she was young enough to be tucked into bed and told stories, she would shiver down into her covers at the first words, which were [[always|not really]] "Once upon a time, there (cycling-link: "lived a woodcutter in the deep woods", "was a king with three daughters", "dwelt a dryad safe in her tree","used to be a wealthy kingdom by the sea","may have been a couple who loved each other dearly", "may have been a couple who loved each other dearly", "may have been a couple who loved each other dearly", "may have been a couple who loved each other dearly", "may have been a couple who loved each other dearly", "may have been a couple who loved each other dearly")."
She would [[always|really]] at the end of the story ask her mother if the story were true. Her mother always said, that is as it may be my child. There is [[always|crushed dreams]] a grain of [[truth|falsehoods]] in [[everything|always ends]].
<h2>(print: (passage:)'s name)</h2>
This is what she kept telling herself. There was no way this could be love. She was too ugly. She was [[an idiot|crushed dreams]] for believing in its [[reality|truths]]. She was too much of a wimp. She wasn't smart. She made mistakes. No one could ever love her.
But then in a corner of her mind, she knew that what she was telling herself wasn't real or fair. She should not be telling these [[untruths|not really]] to herself, let alone anyone else. She could be [[loved|A typical love story]]. [[Truly loved|true love]]. She [[knew it|always ends]].
<!--and here we have an ironic link. Reality goes to truths, which are only half truths, the first half of a love song or sonnet that turns dark in falsehoods...
How would the ending link be different if the origin were just on "it" rather than on "knew it"?
This is linked from "telling" in the title page--and thus the word repetition of telling takes on a new meaning here because that word had been emphasized in the previous node--><h2>(print: (passage:)'s name)</h2>
The stories her mother told her as a child [[always|truths]] ended in they lived happily ever after.
But the stories had (if:visits is 1)[[[different|true love]]](if:visits is 2)[[[untold|crushed dreams]]](if:visits is 3)[[[predictable|really]]](if:visits is 4)[[[unreal|not really]]](if:visits is 5)[[[believable|truths]]](if:visits >= 6)[[[hidden|falsehoods]]] middles each time.
And thus we come to the end of this typical love story.
<!--this subtle difference on the single link leads readers back through the story, and shows the value in repetition--you will not read the same node in the same way twice.-->