Poem by Nari
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sonhermind,Ms.Woodfamouslyattributedherlongevityto
onMarch3.Anindependentwomaninclinedtosaywhateverwa
"chocolateandyoungmen"andjustasmemorablytitledher1
rhomeinOjai,Calif.Shehadcelebratedher105thbirthday
985autobiography"IShockMyself."Infactshewasalifelo
ngvegetarianwhoneithersmokednordrankandwhoremained
BeatriceWood,aceramicartistwhowasknownasmuchforher
spiredatleasttwomoviecharacters,diedonThursdayathe
irreverentquips,beauty,bohemianlifestyleandfamousl
oversasforherluminousluster-glazechalices,andwhoin
owingpots,withherthi
nbsp;From ???@??? Mon Mar 16 13:06:36 1998
heageof90.Untiltwoye
nbsp;Message-ID: <350D4F85.DEA39615@xtra-net.de>
hnamurti.Forthelastf
nbsp;Date: Mon, 16 Mar 1998 17:12:54 +0100
yinbrightIndiansaris
nbsp;From: reiner strasser <r.strasser@xtra-net.de>
rg,EdgardVareseandMi
nbsp;X-Mailer: Mozilla 4.04 (Macintosh; I; PPC)
ncesaidthatshewas23b
nbsp;MIME-Version: 1.0
abun.ShewasborninSan
nbsp;To: wr-eye-tings@sfu.ca
Franciscoandrearedin
nbsp;Subject: ... perhaps of common interest
rwealthyparents.Sheo
nbsp;Content-Transfer-Encoding: 7bit
ancaise.BackinNewYor
nbsp;Sender: owner-wr-eye-tings@sfu.ca
oMarcelDuchampandhis
takeupthecomputeratt
friendthediplomatand
shedressedexclusivel
clear-mindedenoughto
shestudiedpaintingat
ophymovementsince192
,muchtothedismayofhe
wn.Herfriendsinclude
arsago,sheworkedatth
ailyregimeninastudio
ejewelry,evenwhenthr
nbsp; movement
motherandherlady'sma
nbsp;(methods of montage used in film/movie ...
actingattheComedieFr
nbsp;(typography used strongly in advertising)
ay,followingastrictd
nbsp;...........
theAcademieJulienand
nbsp;COLOR
er,theIndiansageKris
nbsp;Reiner
lindMan,amagazinetha
nbsp;TYPE
NewYork,anddemonstra
nbsp;WORD
n1948tobenearitslead
nbsp;elements
kshefellinwithsomeof
nbsp;exploration areas
ck,hip-lengthgrayhai
nbsp;have a look at the avant-garde movies of the
rtwistedintobraidsor
nbsp;new media
fsilver-and-turquois
nbsp;possibility to create structures
rartandnonconformity
nbsp;rules
3,shehadmovedtoOjaii
nbsp;tools
eforeshegotfreeofher
nbsp;vispo
che.ThethreefoundedB
nbsp; it is more)
dManRay,FrancisPicab
nbsp;............. impact of the word
andworelargeamountso
nbsp; 20th and 30th)
tisticcharactersinto
nbsp;ANIMATED LETTERS AND PICTURES
writerHenri-PierreRo
nbsp;INTERACTIVITY
ogo,chaperoned,toPar
nbsp;(what you see is never what you get ....
ai.AmemberoftheTheos
nbsp;by moving (e.g. Java), clicking (hyper link)
ourdecadesofherlife,
nbsp;limits of perception
thatwaslistedunder'P
nbsp;symbol, notion .......
ia,CharlesSheeler,Wa
nbsp;(e.g. in comparison to pictures)
lacesofInterest'inOj
nbsp;(the true interactivity happens in the mind)
lterandLouiseArensbe
nbsp;narrative and associative ...
themostadventurousar
nbsp;expression of the speed and rhythm of the
epotter'swheeleveryd
nbsp;expression of the used color, color scheme
iswhenshewas18,where
nbsp;(color in art ... , contrasts, ....)
id,butshewasallowedt
nbsp;which expression has the form of a typeface
naLoy.Shewasclosestt
nbsp; or single type?
tedanearlyaffinityfo
nbsp;looking at the reception of pages, sites
Wood,theMamaofDada,"directedbyDiandraDouglas.Andmo
untilhisdeathin1960.Shewasalatebloomerasanartistan
ericaHouseinNewYork.Hermuseumexhibitionsincludedar
orm.AftersettlinginOjaiin1948,shebegantodevelopher
InstitutionnamedMs.WoodanEsteemedAmericanArtistand
nshedidn'tmarryandmarriedtwomenshedidn'tlove,sayin
hatthemanalreadyhadawifeinBelgium.In1938,whilelivi
nginLosAngeles,shemarriedSteveHoag,anengineer,afte
ddidnotencounterceramicsuntilthe1930s,whenshefaile
extendingaprocessthatembeddedthemetalliciridescenc
eintheglazeitself,ratherthanpaintingiton.Whileshed
vevessels:chalices,bowlsandvases.Hermostcomplexpie
seinthemovie"Titanic,"directedbyJamesCameron,aneig
dtofindateapottomatchsomeneo-rococoluster-glazepla
r-glazeprocessinalocallibrary.Shenevermadethatteap
mentinNewYork.(Inthesecondandlastissue,Ms.Wooddefe
gthatneithermarriagewasconsummated.Herfirst,in1919
rahousetheyownedtogetherinNorthHollywoodwassweptaw
soldeasily,helpinghermakeitthroughtheDepression.It
ownversionoftheunpredictableluster-glazetechnique,
quantitiesofdinnersets,butafterthemid1970s,shewasa
fterthemid-1980s,whenshewasinher90s.Theseelaborate
wopensinFloridaattheLakeWorthMuseumofContemporaryA
onofherworkwillcloseonApril4.In1994,theSmithsonian
seatHollywoodHighSchool,andbegantoresearchtheluste
rtonMarch27.Ms.Woodhadherfirstexhibitionin1949atAm
shehashadrepeatedexhibitionsattheGarthClarkGallery
1917Independentsexhibition,withasentenceusuallyatt
calcaricatures.Herlifewasalreadythestuffofmovies.R
hborinOjai.Ms.Woodlikedtosaythatshehadlovedsevenme
ressureandsoonendedinannulmentwhenitwasdiscoveredt
idn'tinventthetechnique,shedidcreateauniquepalette
ldlastyearattheAmericanCraftMuseuminNewYork.Thesho
tesshehadboughtinHolland.Sheenrolledinapotterycour
bletoconcentrateexclusivelyonmoreambitiousdecorati
asgivenareherplumbingandherbridges.")Duchampencour
oche'snovelaboutamenageatrois,"JulesetJim,"wouldin
wasnotuntil1940,whenshestudiedbrieflywiththeAustri
anceramistsGertrudandOttoNatzler,thatshebegantoapp
inanextraordinaryrangeofmetallicpinks,goldsandgree
,firstinLosAngelesandtheninNewYork,whereanexhibiti
etrospectiveatthePhoenixArtMuseumin1973.Since1981,
PeteWilson,governorofCalifornia,declaredhera"Calif
reciatethebeautyandpossibilitiesofceramicsasanartf
ns.AtfirstMs.Woodsupportedherselfbyturningoutlarge
rerecently,sheinspiredthe101-year-oldcharacterofRo
,toatheatermanagerfromMontreal,resultedfromfamilyp
ayinaflood,onthecorrecttheorythatmarriedpeoplewere
likelytogetRedCrossreliefmoreeasily.Helivedwithher
ributedtoDuchamphimself:"TheonlyworksofartAmericah
agedhertodraw;theresultswerefey,oftenautobiographi
od.In1993,shewasthesubjectofadocumentary,"Beatrice
--smallglazedfigureswhosewhimsyechoedherdrawings--
twasoneoftheearliestmanifestationsofthedadaartmove
ot,butbecamefascinatedwiththeprocess.Herfirstworks
ces,whichhadelaboratelydecoratedsurfaces,cameonlya
,radiantworksdominatehermostrecentretrospective,he
ndedDuchamp'sinfamousurinal,rejectedbythejuryofthe
spireFrancoisTruffaut's1961movieofthesamename,with
thecharacterplayedbyJeanneMoreaubasedinpartonMs.Wo
orniaLivingTreasure."..........................PbN



Copyright © 1998 Poem by Nari. All rights reserved.

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