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sonhermind,Ms.Woodfamouslyattributedherlongevityto
onMarch3.Anindependentwomaninclinedtosaywhateverwa
"chocolateandyoungmen"andjustasmemorablytitledher1
rhomeinOjai,Calif.Shehadcelebratedher105thbirthday
985autobiography"IShockMyself."Infactshewasalifelo
ngvegetarianwhoneithersmokednordrankandwhoremained
BeatriceWood,aceramicartistwhowasknownasmuchforher
spiredatleasttwomoviecharacters,diedonThursdayathe
irreverentquips,beauty,bohemianlifestyleandfamousl
oversasforherluminousluster-glazechalices,andwhoin
owingpots,withherthinbsp;From ???@???
Mon Mar 16 13:06:36 1998
heageof90.Untiltwoyenbsp;Message-ID:
<350D4F85.DEA39615@xtra-net.de>
hnamurti.Forthelastfnbsp;Date: Mon,
16 Mar 1998 17:12:54 +0100
yinbrightIndiansarisnbsp;From: reiner
strasser <r.strasser@xtra-net.de>
rg,EdgardVareseandMinbsp;X-Mailer:
Mozilla 4.04 (Macintosh; I; PPC)
ncesaidthatshewas23bnbsp;MIME-Version:
1.0
abun.ShewasborninSannbsp;To: wr-eye-tings@sfu.ca
Franciscoandrearedinnbsp;Subject: ...
perhaps of common interest
rwealthyparents.Sheonbsp;Content-Transfer-Encoding:
7bit
ancaise.BackinNewYornbsp;Sender: owner-wr-eye-tings@sfu.ca
oMarcelDuchampandhis
takeupthecomputeratt
friendthediplomatand
shedressedexclusivel
clear-mindedenoughto
shestudiedpaintingat
ophymovementsince192
,muchtothedismayofhe
wn.Herfriendsinclude
arsago,sheworkedatth
ailyregimeninastudio
ejewelry,evenwhenthrnbsp; movement
motherandherlady'smanbsp;(methods of
montage used in film/movie ...
actingattheComedieFrnbsp;(typography
used strongly in advertising)
ay,followingastrictdnbsp;...........
theAcademieJulienandnbsp;COLOR
er,theIndiansageKrisnbsp;Reiner
lindMan,amagazinethanbsp;TYPE
NewYork,anddemonstranbsp;WORD
n1948tobenearitsleadnbsp;elements
kshefellinwithsomeofnbsp;exploration
areas
ck,hip-lengthgrayhainbsp;have a look
at the avant-garde movies of the
rtwistedintobraidsornbsp;new media
fsilver-and-turquoisnbsp;possibility
to create structures
rartandnonconformitynbsp;rules
3,shehadmovedtoOjaiinbsp;tools
eforeshegotfreeofhernbsp;vispo
che.ThethreefoundedBnbsp; it is more)
dManRay,FrancisPicabnbsp;.............
impact of the word
andworelargeamountsonbsp; 20th and
30th)
tisticcharactersintonbsp;ANIMATED LETTERS
AND PICTURES
writerHenri-PierreRonbsp;INTERACTIVITY
ogo,chaperoned,toParnbsp;(what you
see is never what you get ....
ai.AmemberoftheTheosnbsp;by moving
(e.g. Java), clicking (hyper link)
ourdecadesofherlife,nbsp;limits of
perception
thatwaslistedunder'Pnbsp;symbol, notion
.......
ia,CharlesSheeler,Wanbsp;(e.g. in comparison
to pictures)
lacesofInterest'inOjnbsp;(the true
interactivity happens in the mind)
lterandLouiseArensbenbsp;narrative
and associative ...
themostadventurousarnbsp;expression
of the speed and rhythm of the
epotter'swheeleverydnbsp;expression
of the used color, color scheme
iswhenshewas18,wherenbsp;(color in
art ... , contrasts, ....)
id,butshewasallowedtnbsp;which expression
has the form of a typeface
naLoy.Shewasclosesttnbsp; or single
type?
tedanearlyaffinityfonbsp;looking at
the reception of pages, sites
Wood,theMamaofDada,"directedbyDiandraDouglas.Andmo
untilhisdeathin1960.Shewasalatebloomerasanartistan
ericaHouseinNewYork.Hermuseumexhibitionsincludedar
orm.AftersettlinginOjaiin1948,shebegantodevelopher
InstitutionnamedMs.WoodanEsteemedAmericanArtistand
nshedidn'tmarryandmarriedtwomenshedidn'tlove,sayin
hatthemanalreadyhadawifeinBelgium.In1938,whilelivi
nginLosAngeles,shemarriedSteveHoag,anengineer,afte
ddidnotencounterceramicsuntilthe1930s,whenshefaile
extendingaprocessthatembeddedthemetalliciridescenc
eintheglazeitself,ratherthanpaintingiton.Whileshed
vevessels:chalices,bowlsandvases.Hermostcomplexpie
seinthemovie"Titanic,"directedbyJamesCameron,aneig
dtofindateapottomatchsomeneo-rococoluster-glazepla
r-glazeprocessinalocallibrary.Shenevermadethatteap
mentinNewYork.(Inthesecondandlastissue,Ms.Wooddefe
gthatneithermarriagewasconsummated.Herfirst,in1919
rahousetheyownedtogetherinNorthHollywoodwassweptaw
soldeasily,helpinghermakeitthroughtheDepression.It
ownversionoftheunpredictableluster-glazetechnique,
quantitiesofdinnersets,butafterthemid1970s,shewasa
fterthemid-1980s,whenshewasinher90s.Theseelaborate
wopensinFloridaattheLakeWorthMuseumofContemporaryA
onofherworkwillcloseonApril4.In1994,theSmithsonian
seatHollywoodHighSchool,andbegantoresearchtheluste
rtonMarch27.Ms.Woodhadherfirstexhibitionin1949atAm
shehashadrepeatedexhibitionsattheGarthClarkGallery
1917Independentsexhibition,withasentenceusuallyatt
calcaricatures.Herlifewasalreadythestuffofmovies.R
hborinOjai.Ms.Woodlikedtosaythatshehadlovedsevenme
ressureandsoonendedinannulmentwhenitwasdiscoveredt
idn'tinventthetechnique,shedidcreateauniquepalette
ldlastyearattheAmericanCraftMuseuminNewYork.Thesho
tesshehadboughtinHolland.Sheenrolledinapotterycour
bletoconcentrateexclusivelyonmoreambitiousdecorati
asgivenareherplumbingandherbridges.")Duchampencour
oche'snovelaboutamenageatrois,"JulesetJim,"wouldin
wasnotuntil1940,whenshestudiedbrieflywiththeAustri
anceramistsGertrudandOttoNatzler,thatshebegantoapp
inanextraordinaryrangeofmetallicpinks,goldsandgree
,firstinLosAngelesandtheninNewYork,whereanexhibiti
etrospectiveatthePhoenixArtMuseumin1973.Since1981,
PeteWilson,governorofCalifornia,declaredhera"Calif
reciatethebeautyandpossibilitiesofceramicsasanartf
ns.AtfirstMs.Woodsupportedherselfbyturningoutlarge
rerecently,sheinspiredthe101-year-oldcharacterofRo
,toatheatermanagerfromMontreal,resultedfromfamilyp
ayinaflood,onthecorrecttheorythatmarriedpeoplewere
likelytogetRedCrossreliefmoreeasily.Helivedwithher
ributedtoDuchamphimself:"TheonlyworksofartAmericah
agedhertodraw;theresultswerefey,oftenautobiographi
od.In1993,shewasthesubjectofadocumentary,"Beatrice
--smallglazedfigureswhosewhimsyechoedherdrawings--
twasoneoftheearliestmanifestationsofthedadaartmove
ot,butbecamefascinatedwiththeprocess.Herfirstworks
ces,whichhadelaboratelydecoratedsurfaces,cameonlya
,radiantworksdominatehermostrecentretrospective,he
ndedDuchamp'sinfamousurinal,rejectedbythejuryofthe
spireFrancoisTruffaut's1961movieofthesamename,with
thecharacterplayedbyJeanneMoreaubasedinpartonMs.Wo
orniaLivingTreasure."..........................PbN
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